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25 of 26 people found the following review helpful:
5.0 out of 5 stars
AS CLOSE AS TWO SISTERS CAN BE,,,, 9 Jan 2003
This is an outstanding film with bravura performances by all the actors and actresses who grace it. Emily Watson is dazzling as world-renowned cellist, Jacqueline Du Pre, and Rachel Griffiths gives a heartwarming portrayal of Hilary, the more grounded Du Pre sister. British director Anand Tucker does a masterful job of capturing and exploring the often complex and symbiotic relationship between these two sisters, one of whom reaches heights in the music world of which most may only dream.Most of the film is bifurcated in that it is told from the perspective of each of the sisters, with the same scenarios being viewed through the eyes of one sister at any given time. The film opens with a scene of the young sisters playing on the beach, with an enigmatic adult figure on the shore whom the younger of the sisters, Jackie, approaches. They speak, but what transpires between the young Jackie and this solitary figure is only made manifest at the conclusion of the film. The viewer is then thrust into the Du Pre household, where it is clear that their lives revolve around music, with Jackie playing the cello and Hilary the flute. A pivotal moment in the film occurs when Hilary is invited to participate in a televised children's concert, and Jackie is not. Jackie is told by their mother that if she wishes to get such an invitation that she must play better. This is an edict that Jackie takes to heart and adopts with abandon, becoming relentless in her devotion to the cello, until it is she, and not Hilary, who becomes the one in demand and the one to whom slavish attention is given. This is a portent of things to come. Therein lies the seed for the subtle rivalry that is to last their entire lives, though they remain as close as two sisters can be. Jackie goes on to become one of the world's most renowned cellists. That Hilary sublimates herself to her sister is obvious, even when ballroom dancing together, as it is Jackie who leads Hilary. This was to remain the pattern for most of their respective lives. While the shy and seemingly insecure Hilary eventually marries a man who makes her feel special and important, it is Jackie who continues to dazzle, even in the marriage arena, marrying a world class pianist with whom she makes beautiful music, until she is struck by a fatal illness. As Jackie's world spirals out of control, Hilary is leading the placid life of a country squiress, having children and playing at local concerts, happily married to a man who is clearly devoted to her. Jackie intrudes on their idyllic life, and in her frenetic fashion turns their world upside down during a visit sans her husband, when she obviously horns in on Hilary's husband. What happens next is sure to shock even the most jaded of viewers. As Jackie grows more successful in the music world, her personal life spirals out of control. Her passion for the cello is often countermanded by the pains she takes to try to divest herself of the demanding instrument that seemingly controls her life, as her passion and musical genius begin to consume her to the exclusion of all else. Her tortured soul is finally set free, when she succumbs to her fatal illness, a lonely and tragic figure at the end, mourned most of all by Hilary. This is a movie that music lovers and anyone who loves a beautifully directed and well-acted film will appreciate and enjoy.
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