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Immaterial Bodies: Affect, Embodiment, Mediation (Published in association with Theory, Culture & Society) Paperback – 5 Sep 2012


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Review

A wonderfully rich work which authoritatively outlines and defines the present moment in studies of the body. Essential reading for all those engaged in the 'turn to affect', curious about its genealogy, or seeking new inspiration from those strange precursors - suggestion, voice hearing, the paranormal, personality, doubles and hauntings. Lisa Blackman elegantly explains the history of our current ruminations and reaches important new conclusions for investigations of subjectivity, materiality, movement, individuality and entanglement'
- Margaret Wetherell, Emeritus Professor of Psychology, Open University, UK


'If the social and cultural sciences are to move beyond slogans in their engagement with matters corporeal, they need to engage seriously with what the contemporary life sciences are discovering about the complex enmeshing of bodies, brains, minds and milieux. Lisa Blackman's provocative new book shows how innovative and how productive such a dialogue could be
Nikolas Rose, Professor of Sociology, Kings College London, UK


From its critical review of affect theory to its engagment with the reenchantment of materialism to its attention to voice-hearing and neuroscience, Immaterial Bodies: Affect, Embodiment, Mediation is a must read. Lisa Blackman has found a brilliant way to reintroduce mediation into a wide range of discussions ongoing in contemporary critical theory. Immaterial Bodies especially will make a difference in how we conceptualize mediated embodiment
Patricia Ticineto Clough, Professor of Sociology, Queens College and The Graduate Center CUNY


Lisa Blackman's book is a fascinating investigation of aspects of the genealogy of approaches to affect and embodiment from the late nineteenth century to the present and an original intervention in current debates over the 'turn to affect'
Ruth Leys, Henry Wiesenfeld Professor of Humanities, Johns Hopkins University, Maryland, US


Imagine a sociology freed from its conventional preoccupation with "boundary-making" to focus on thresholds, potentialities and flows. Imagine a psychology that takes primary inspiration from the study of suggestion, telepathy and other such nonconscious, nonrational processes. In Immaterial Bodies, Lisa Blackman positions the transmission of affect as the central question of contemporary sociology and psychology, and brings out how this question was also of key concern to the founders of these disciplines. Her recuperation of the voices of William James and Gabriel Tarde, among others, sets the stage for a wide ranging and deeply illuminating conversation with current theorists over topics ranging from mental touch to automaticity. It emerges that it is not only bodies that matter, for the immaterial (the psychic, the spiritual, the media) matters too, both to the formation of the subject and to the foundation (and future) of the human sciences. This book presents a refreshing rebuke to the crude materialism and neuroreductionism that has become so prevalent in recent years, and throws open a window on the trans-subjective
David Howes, Concordia University, editor of Empire of the Senses and The Sixth Sense Reader, among other works

About the Author

Lisa Blackman is a Reader in the Department of Media and Communications at Goldsmiths, University of London. She works at the intersection of body studies and media and cultural studies. She is the editor of the journal Body & Society and a co-editor of Subjectivity. Book include Mass Hysteria: Critical Psychology and Media Studies (Palgrave, 2001, with Valerie Walkerdine); Hearing Voices: Embodiment and Experience (Free Association Books, 2001); The Body: The Key Concepts (Berg, 2008).

She teaches courses which span critical media psychology, affect studies, embodiment and body studies, and experimentation in the context of art/science. She is particularly interested in phenomena which have puzzled scientists, artists, literary writers and the popular imagination for centuries, including automatic writing, voice hearing, suggestion, telepathy and automatism.


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