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Middlesex Hardcover – 7 Oct 2002


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Product details

  • Hardcover: 544 pages
  • Publisher: Bloomsbury Publishing PLC; First Edition, First Printing edition (7 Oct. 2002)
  • Language: English
  • ISBN-10: 0747560234
  • ISBN-13: 978-0747560234
  • Product Dimensions: 22.6 x 15.4 x 3.8 cm
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (153 customer reviews)
  • Amazon Bestsellers Rank: 522,850 in Books (See Top 100 in Books)

More About the Author

Jeffrey Eugenides -- winner of the 2003 Pulitzer Prize for Fiction for Middlesex -- was born in Detroit, Michigan in 1960. His first novel, The Virgin Suicides, was published in 1993, and has since been translated into fifteen languages and made into a major motion picture. His second novel, Middlesex, was an international bestseller. Jeffrey Eugenides is the recipient of many awards, including the Pulitzer Prize, fellowships from the Guggenheim Foundation and The National Foundation for the Arts, a Whiting Writers' Award, and the Harold D. Vursell Award from The American Academy of Arts and Letters. He has been a Fellow of the Berliner Künstlerprogramm of the DAAD and of the American Academy in Berlin. Jeffrey Eugenides lives in Berlin.

Product Description

Amazon Review

Middlesex is a significantly more ambitious and much odder novel than Jeffrey Eugenides' resonant debut, The Virgin Suicides (on DVD), which was a bittersweet paean to adolescent love. This is a sprawling family saga, bursting with life, which spans three generations and crosses several continents. At its core, however, is another unorthodox but exquisite coming-of-age story.

The book's wily narrator and central character, Calliope Stephanides (named after the muse of epic poetry) is a hermaphrodite raised as a girl who comes to realise she is happier as a boy and is now living as a man in contemporary Berlin. Cal's tale begins, appropriately enough, in Greece (or more precisely Asia Minor)--an Aegean Strasbourg whose sovereignty is claimed by Greece and Turkey. In 1922 brother and sister Lefty and Desdemona Stephanides escaped their war-torn homeland and arrived, as man and wife, in Detroit, America. It is this coupling that ultimately begets their grandchild Calliope and her ambiguous sexuality, as she, or rather by then he, sanguinely notes:

Some people inherit houses; others painting or highly insured violin bows. Still others get Japanese tansu or a famous name. I got a recessive gene on fifth chromosome and some very rare family jewels indeed.
As Cal recounts the experiences of the Stephanides clan in their new land--from the Depression to Nixon--he unfurls his own symbiotic odyssey to a new sex. Cal's narrative voice is arch, humorous and self aware, continually drawing attention to its authorial sleights of hand, but never exasperating. This is big, brainy novel--The Oracle of Delphi puts in an unlikely appearance in the middle of a teenage tryst--but one full of compassion. Eugenides' astonishingly rich story persistently engages the heart as well as the mind. --Travis Elborough

Review

"'Middlesex' seems set to be at least as fashionable a read as '(Virgin) Suicides'." -- Style, The Times, 1st October 2002

"Full of wit and weird happenings, this book just gets better with every chapter." -- Sainsbury's Magazine, October 2002

"Middlesex" is both life-changing and life-enhancing. It is also very funny." -- Liz Calder, Publishing Director, Bloomsbury Publishing Plc.

"Nine years in the writing and worth the wait." -- Elle, October 2002

"Redolent of 'Midnight's Children-era' Rushdie, 'Middlesex' confirms Eugenides as an American writer of tremendous talent" -- The Face, September 2002

"The quirky characters, ingenious plot, and Eugenides' exemplary writing style make this book delightfully original." -- The Historical Novels Review, August 2002

"This is a truly extraordinary novel based around one brilliantly drawn character." -- Red, October 2002

"This is a truly original and compelling novel, by turns sad, funny and moving." -- Daily Mail, 11th October 2002

"a warm and beautifully written novel that illuminates the part of the human soul that even biology cannot reach." -- Sunday Times, October 6th 2002

"exuberant, ambitious, deeply compassionate and wildly funny." -- GQ, October 2002

"it's a towering achievement, ... He has emerged as the great American writer that many of us suspected him of being." -- LA Sunday Times Book Review, September 1st 2002

"novels as good as this aren't published very often." -- Time Out, October 2nd 2002

"one of the best American novels in years. ... a book of wonders and surprises." -- Books Quarterly, September 2002

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Customer Reviews

4.3 out of 5 stars

Most Helpful Customer Reviews

30 of 31 people found the following review helpful By A Customer on 15 Oct. 2002
Format: Hardcover
It is difficult to praise this book too much. Its ambition is obvious from its length and its multiple themes, the Greek diaspora, the American Dream and its racial divide, hermaphroditism, the sexual revolution, evolutionary biology....However, what I would not have thought possible was that this ambition be realised with such deftness of touch. There is not a dud paragraph in its 500-odd pages, and I imagine that my problem with the odd sentence was more to do with my lack of familiarity with the American idiom than with any failing on the part of the author. But these hiccups, rather than discouraging me, only made me more eager to to see what followed. At the end I was breathless with wonder. Would I read a better novel? Do we have to wait 9 years for his next?
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62 of 66 people found the following review helpful By Seamus Connor on 23 Mar. 2004
Format: Paperback
This is one of those few novels that had me enchanted from the first page, and I didn't put it down untill the last.
I initially bought it on a whim, as it was on offer and the write ups were good for it. However it has cemented it's place as one of my favourite books to be released in recent times.
Middlesex is basically an epic family saga, covering three generations of the Greek Stephanides family as they emigrate from their homeland to America. Historically accurate as the story unfolds around the social backgrounds of the changing eras the reader is consumed in the realism of the novel - this could easily be a real Greek-American family. The greek connection is kept firmly within the book as the narrartor, Cal, recounts lesser known Greek myths in connection with her own story. This leads on to an unusual device by Eugenides to seperate the story further from typical family saga's - Cal is a hermaphrodite.
This condition does not override the novel, in fact it takes a backseat for the vast majority of it until the end. However, the research which Eugenides has done into this and the other subjects touched by the book is clearly astounding as his accuracy in his portrayal is astonishing.
The character development is superb - each character over the three generations develops a unique personality encouraging and coaxing readers to fall in love with them. You will. The emotions of each character seems to jump off the page and take a place in your heart.
Far from just being based around the family house the novel is also packed with its share of action - riots & a car chase are amongst these.
Eugenides description of this epic novel is beautifully vivid and weaves an enchanting image of the lives and inhabitats of his characters. It is cinematic in everything but format.
I've been struggling to think of a negative to say about the book before I finish my review but there really aren't any. I hope you enjoy it as much as I did.
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5 of 5 people found the following review helpful By Little Miss Average on 11 Jan. 2010
Format: Paperback
This is the very rich tale of Calliope/Cal Stephanides a child born with both male and female genitalia and the struggle for acceptance, identity and understanding that it brings. It is interestingly written in the way that we go back two generations to see the chain of events that lead to the gene which causes the condition.

As others have said, this is two stories in one. One is the family back story, and the second part is Cal`s story. The first fairly lengthy part tells her grandparents story from Smyra to the USA. In the USA they have a child, Cal's father, who subsequently marries Cal's mother and they start a family - thus Cal is born. The second part is narrated by Cal and charts the effects of puberty. The struggles that time of life brings are amplified by the urges Cal has to deny and hide - urges Cal doesn't understand - through to diagnosis; Cal's search for identity; struggle to make decisions about the future, and present life.

The grandparent's story for me is some of the best in the book. It's well told, I enjoyed the history lesson that accompanied it, and thought it went well with the brilliant opening. However, after this point it starts to get a bit boring: there are family businesses, extended family sub-plots, and cultural contexts to wade through - some of which I feel didn't add much and could have been significantly edited.

The story picks up again after Cal is born and begins give a personal account of life and the struggles endured. I think there was so much unrealised potential in this part that it's a real shame. Like others I was left wanting more and thinking that the balance between the past and present was sorely misjudged.
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3 of 3 people found the following review helpful By molondas on 1 Oct. 2007
Format: Paperback
When I read books of this length - 500+ pages - I expect that there'll be bits that I find boring. To Eugenides immense credit, I never once found Middlesex anything other than entertaining.

Eugenides's writing is erudite, fluid and very pleasurable to read. He can get away with all sorts of unbelievable conceits because his characters are strong enough and his narrative voice sufficiently original to hold the reader suspended in his imaginary world.

As with all the best books, the plot is incidental or irrelevant, and it is the power of Eugenides's writing holds the fascination - "le plaisir du texte".

The book turnsslightly erratic towards the end, the narrative pace accelerating too much, so that the humorous detail and lazy indulgence of the opening and middle sections is sacrificed for a credible ending. To be fair, this is a common problem with picaresque novels, and the author can be forgiven a little shabbiness for the book's originality and audacity.
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