From the gently off-kilter chimes at the beginning
of opening track 'Her Diamonds' to the gently lilting
acoustic refrain of final number 'Getting Late'
Mr Thomas's new album 'Cradlesong' is a welcome treat.
He has the eighties in his blood but with the help of just
a little magic dust the music trancends its influences and
delivers 14 fresh and sparkling left-of-centre pop winners.
Mr Thomas has an ear for a good tune (the other serves him well
for equally good choruses !); a smidgen of country here
('Cradlesong'), a spoonful of gospel there ('Someday') but
always with a light touch and a refreshing absence of irony.
If a little old-fashioned in the nicest possible way the
album as a whole is never less than musically satisfying.
The voice is an attractive tenor with just a little warm
vibrato scattered here and there at the ends of phrases.
Mr Serletic's production serves the music well, as do
the massed forces of sympathetic musicians recruited
to the project. Mr Thomas leads from the front thoughout.
There really isn't a bad song on the album.
A special mention, however, belongs to 'Mockingbird',
an uplifting anthem with a great refrain, redolent of
the work of Alan Tarney (a great 80's writer/producer).
It's a big, full-bodied, widescreen epic.
'Fire On The Mountain', too, is a song with a
clear vision and powerful message.
My personal favorite is 'Someday', which will doubtless pin
me down as a big old softie - but I don't care. I love it!
A splendid little album in all sorts of ways.
A big little album in fact.
Recommended.