Normally I do not write reviews about books, especially those that I have a featured if small part in. Yet after being mentioned in the rambling pontifications of a poorly-written and rather stunningly ignorant review I felt like perhaps I should comment on Darlington's work. In doing so I will try to focus on the actual text of the book rather than "crying foul" at rather normal publishing practices that occur regularly.
It is hard for me to decide which aspect of "Zin", or "Angels Visits" I like the most. First of all, the structure of the book is well done, in that it nicely parallels the known historical facts and theories of Zinfandel's presence as the only truly "American" grape varietal with the stories of Paul Draper, Joel Peterson, and their current philosophies regarding the varietal. Darlington's strength lies in his ability to capture the evolution and mystery surrounding Zinafandel in a coherent and fascinating manner, while painting accurate and detailed potraits of some of the main players in the industry. "Angels Visits" is something of an archetype in the area of wine literature because it successfully draws the reader into a world known by very few, and pretended to be known by very many.
I always thought it a shame that a second edition of the book never came out, and although I dislike the simpleton name on the cover and the packaging, it is really what is underneath these that counts. Perhaps more should have been written about the current status of Zinfandel, but this critique is outweighed by the very nature of the book. In being a historical review of the Zinfandel varietal, and a case study of the two best wineries during the early boom of Zinfandel, there is really no need for more to be written. Whatever needs to be included is written in the new epilogue by Darlington, where he notes the new styles of Zinfandel being pioneered by producers such as Turley and Martinelli and updates the reader on the current status of the two wineries and the people involved in the book.
There is no doubt that personal bias is involved when I write this review, remember, Darlington "labored in constant dread of rounding a corner and finding (my) precociousness scattered across the floor," I feel that this is a great work. I have been born and raised listening about, tasting and working with Zinfandel...yet everytime I pick up this book I learn something that I have never known. So, I say, as a picky and educated "Zinfandel aficionado", and a wine aficionado more generally, read this book, you will not be dissapointed.