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Zettel is a collection of fragments which Wittgenstein cut from various of his typescripts and preserved for future use. More than half of the fragments were written in the years 1946-1948, after the completion of Part I and before the composition of Part II of the Philosophical Investigations. This collection may therefore be regarded as a companion volume to the Investigations, adding to both the scope and the Unity of Wittgenstein's chef d'oeuvre. The fragments were kept in a box and were not strictly ordered. Many have marks showing changes and improvements made after they were cut from the typescripts: some have remarks added in handwriting. Editing the collection for publication was thus a task of considerable difficulty. Since Zettel was first published, further research has been carried out on the fragments and minute comparisons have been made with their typescript and manuscript sources, revealing certain inaccuracies and misinterpretations in the first editing of the work. The second edition corrects these shortcomings and includes new explanatory footnotes: a detailed index, compiled by Stephen Amdur, has also been added.
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First Sentence
1. William James: The thought is already complete at the beginning of the sentence. Read the first page Browse Sample Pages
Front Cover | Copyright | Excerpt | Index | Back Cover
1. William James: The thought is already complete at the beginning of the sentence. Read the first page Browse Sample Pages
Front Cover | Copyright | Excerpt | Index | Back Cover
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30 of 31 people found the following review helpful
Buy This Book First
14 Dec 1998
Format:Paperback
Before you buy one of the books on Wittgenstein's thought about philosophical psychology, buy the Philosophical Investigations and Zettel. Most of the notes in these other "books" are alternate workings of thoughts already expressed in better form in the Investigations and this volume.
3 of 3 people found the following review helpful
Ludwig and the Edge of Reason
12 May 2010
Format:Paperback
Wittgenstein's "Zettel" is an underrated masterpiece. It has, in embryo, the ideas that would be more clearly formulated in the Philosophical Investigations. While Wittgenstein comes across as cold and intimidating, he is TRULY HUMAN. He says, "A poet's words can pierce us" and "soulful expression in music-this cannot be recognized in rules." He understood, as all truly human philosophers do, that the human experience transcends propriety, rules, and language itself. Wittgenstein doesn't deny the existence of feelings;he discusses fear, grief, and pain. One of his most powerful lines is, "Love is not a feeling. Love is put to the test, pain not. One does not say 'That was not true pain, or it would not have gone off so quickly.'" Wittgenstein wasn't without empathy either--in (548) he discusses empathy and the concept of another's pain.
One could argue that Wittgenstein is arguing nihilistically for the end of philosophy, and an end to emotions--when that is not the case. He has been tragically misinterpreted. He is discussing language, belief, and the human experience (especially emotions) "Zettel" is a perfect companion for Tractatus Logico-Philosophicus and the Philosophical Investigations. One might also want to check out the only art film on this great 20th century philosopher by the late, great Derek Jarman Wittgenstein (Special Edition)
One could argue that Wittgenstein is arguing nihilistically for the end of philosophy, and an end to emotions--when that is not the case. He has been tragically misinterpreted. He is discussing language, belief, and the human experience (especially emotions) "Zettel" is a perfect companion for Tractatus Logico-Philosophicus and the Philosophical Investigations. One might also want to check out the only art film on this great 20th century philosopher by the late, great Derek Jarman Wittgenstein (Special Edition)
11 of 18 people found the following review helpful
Consumate questions -- the edge of meaning
2 Feb 2004
Format:Paperback
Keeping in mind that the early Wittgenstein intended to express everything clearly that could be said, though the most important things could not be said, they could only be shown, this book is a marvelous collection of just the sort of questions I suppose led him to change his mind. Each is thoughtful and leads no where -- which is precisely the point.
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