Top critical review
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on 12 March 2014
Gilliam's most Gilliam film since Twelve Monkeys. It's a happy mess, and feels like a modern day Brazil. It starts weird, becomes oddly conventional for the middle third as it finds it's feet, then goes off the rails for the finale. Christoph Waltz is endlessly watchable as the poor sap plugged into a fast-paced modern life, Lucas Hedges holds his own as he channels Brad Pitt from Twelve Monkeys, while David Thewlis seems to be updating Johnny from Naked with a chemically induced love of life in a Gilliam world gone mad.
Strictly for Gilliam devotees, the film feels rushed, disjointed, but so many ideas are thrown at the screen that some do stick with you after. And Melanie Thierry is a revelation. It's no Brazil, however.