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| 1. Boredom - Buzzcocks | |||
| 2. Cranked Up Really High - Slaughter And The Dogs | |||
| 3. Jilted John - Jilted John | |||
| 4. I Don't Want To Be Nice - John Cooper Clarke | |||
| 5. Dream Sequence 1 - Pauline Murray And The Invisible Girls | |||
| 6. 11 O'Clock Tick Tock - U2 | |||
| 7. Transmission - Joy Division | |||
| 8. Conduct - The Durutti Column | |||
| 9. Electricity - Orchestral Manoeuvres In The Dark | |||
| 10. The Light Pours Out Of Me (Second Version) - Magazine | |||
| 11. In A Lonely Place - New Order | |||
| 12. Oh Lucinda (Love Becomes A Habit) - The Only Ones | |||
| 13. Nightshift - The Names | |||
| 14. The Last White Christmas - Basement Five | |||
| 15. Pretty In Pink - Psychedelic Furs | |||
| 16. Friendly Fires - Section 25 | |||
| 17. Rebecca's Room - Wasted Youth | |||
| 18. All Tomorrow's Parties - Nico And The Invisible Girls | |||
| 19. Quick As Rainbows - Kitchens Of Distinction | |||
| 20. Wrote For Luck - Happy Mondays | |||
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Apart from the Smiths, Hannett produced almost every one of the most important Manchester bands -from the Buzzcocks and Magazine, via Joy Division and New Order through to the Stone Roses and Happy Mondays - and almost all of those that he produced are represented here.
Repertoire ranges from big UK chart hits (Pretty In Pink, Jilted John, Electricity) to hard-to-find cuts by non-Manchester bands such as U2 and the Only Ones, and encompasses everything from Punk to New Romantic to Indie Dance.
One of the few post-1970s UK record producers to be as revered as the records he produced, Hannett died in 1991 but his influence lives on in every single indie record thats made to this day.
The lavish booklet features in-depth notes from James Nice, the acclaimed expert in the field, plus quantities of memorabilia.
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Most Helpful Customer Reviews
23 of 24 people found the following review helpful:
5.0 out of 5 stars
And Here is the Young Man (rebranded),
By Jason Parkes "We're all Frankies'" (Worcester, UK) - See all my reviews (No. 1 Hall OF FAME REVIEWER)
This review is from: Zero: A Martin Hannett Story 1977-1991 (Audio CD)
Martin Hannett obviously ranks as one of the great British producers of the last few decades, belonging alongside such luminaries as Mike Hedges, John Leckie, Trevor Horn, Stephen Street, Grant Showbiz & Ed Buller. The producer's role in the scheme of things is often forgotten - though of course the late Hannett has been nailed to the mythology surrounding Joy Division and their doomed poet/singer Ian Curtis. Hannett was memorably played by Gollum from Lord of the Rings in Michael Winterbottom's '24 Hour Party People'- a film that's great entertainment but quite irritating (I'm sure Hannett would have loved the fact they used the work he produced in the studio as the tracks the fictional JD played!). There's another JD-biopic around the corner...so who knows, Philip Seymour Hoffmann could snarf another Oscar playing the one called zero. This compilation replaces the previous MH-compilation 'And Here is the Young Man' (1998, Denutante Records)- which featured 18 tracks (we get 21 here)- many of the band names remain the same, though the tracks differ...so both compilations warrant purchase. This one comes with much more bumph from the label - though can it really be said that Hannett's mix of 'Oh Lucinda' is that hard to find? - it's on two Only Ones compilations, both cheap and easy to find! & what's with mentioning the Stone Roses???? - it's not like they're on the compilation or that Hannett produced any of their key work! This compilation opens with an all-time great 'Boredom' by Buzzcocks, the key track from the key punk e.p. 'Spiral Scratch' released on New Hormones (& reissued by Mute's Grey Area a few years ago)According to the excellent new book by John Robb ('Punk Rock:An Oral History')it was recorded in a corridor in a rapid session - you could say Hannett's key work was 'Spiral Scratch' and his work with Joy Division. Hannett's other punk themed work is present - the dire Slaughter & the Dogs and the fine eponymous single by Jilted John (whose influence is apparent these days in the work of Graham Coxon). It seems odd that we get U2 before Joy Division - though it's a fine U2 track - I think the JD selection is pretty standard, something like 'Atmosphere' or 'I Remember Nothing' where Hannett really went to town post-punk Spectorise would have been a better choice. There's not a dud here - the classic early single by Orchestral Maneouveres in the Dark 'Electricity' was as key as JD in terms of influence - Vince Clarke would form Depeche Mode as a result, while the multiple allusions to it in the book 'Awaydays' shows that it was part of the future before the future alongside such tracks as 'Nag Nag Nag', 'Hot on the Heels of Love', 'Dream Baby Dream', 'My Sex', 'Warm Leatherette' & 'Being Boiled.' I think the Magazine selection is questionable - I always preferred the version produced by John Leckie on Mag's debut 'Real Life' to this take a few years later ('And Here is the Young Man' wisely plumped for 'Song from Under the Floorboards'). The New Order selection, alternately, is spot on - one of the last songs penned by Curtis it has a life as Joy Order/New Division - the remains of what was left behind with a song of portent. Hannett was part of that and with 'In a Lonely Place' advanced on the sound he'd developed on 'Closer's 'The Eternal'/'Decades' and the classic 'Atmosphere' - this sounds immense and has Curtis brief, poetic lyrics delivered by Bernard Sumner sounding permanently gutted.It sounds bigger than everything and predicts the sound of The Cure's 'Disintegration' LP by nine years. An ideal selection, whereas something from 'Movement' (an album I can't listen to - whether it's too depressing, or rubbish, or both...)would have been wrong. There are some lesser known names here - Pauline Murray & the Invisble Girls, Section 25, The Names, Wasted Youth, Kitchens of Distinction & World of Twist - all of which add to the richness of the compilation. Former Penetration member Murray appears to me utterly neglected, while admirers of Interpol might note that the New Yorkers sound rather similar to Kitchens of Distinction (as well as The Chameleons!). World of Twist's excellent cover of the Stone's 'She's a Rainbow' is welcome stuff - maybe their sole album will be reissued/rediscovered? - like King of the Slums and New Fast Autmatic Daffodils, they made some decent records... Nico's spell of life in Manchester's Whalley Range district has been recorded in books and docus (she also made some records with the Blue Orchids)- so it seems apt that her version of 'All Tomorrows Parties' is included here - Hannett's timeless work with JD stemming from the Velvets original (I do hope the rumours that John Cale is producing New Order are correct). The smattering of obvious joys - Happy Mondays' 'Wrote for Luck', Psychedelic Furs' 'Pretty in Pink' & The Only Ones' 'Oh Lucinda' make 'Zero' an extremely rounded compilation that documents the work of the great man well. & with the John Cooper Clarke track you can note a major precursor, alongside Mark E Smith, of the Brit-poetry those Artic Monkeys are practicing at present! '24 Hour Party People' wasn't that flattering regarding Hannett - the guy obviously had faults and problems...but I think the work speaks for itself and 'Zero' reminds you how important he was. Like the Peter Hook compiled 'Hacienda Classics', Tony Wilson's '24 Hour'-tie-in-tome, Deborah Curtis' 'Touching from a Distance', 'Neworderstory', and Winterbottom's movie, 'Zero' belongs to a certain part of Manchester's rich cultural history. It also ranks alongside the array of post-punk compilations these days - a relative of the 'Rip It Up & Start Again' themed compilation. This needs to be owned. Obviously...
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Most Helpful Customer Reviews on Amazon.com (beta) Amazon.com:
4.5 out of 5 stars (2 customer reviews) 7 of 8 people found the following review helpful:
5.0 out of 5 stars
A Certain Disorder In The Treble Range,
By Thomas Horan - Published on Amazon.com
This review is from: Zero: A Martin Hannett Story 1977-1991 (Audio CD)
The above title is how Hannett vaguely characterized his visionary production technique. But as any Joy Division fan will tell you, it's actually both simpler and more complex. Unlike most rock producers who emphasize the vocal and guitar parts, Hannett placed his seminal, digitally-treated drum sound at the front of the mix, with a melodic yet inorganic bass guitar just behind it. This literally turns conventional record-production methods back to front, destabilizing and enhancing the listener's perspective. The air of mystery is further increased through the use of icy synthesizers, and whatever strange implements, weird echoic effects, and random noise-producing items Hannett could lay hands on. He never tried to replicate what he heard with his ears; his talent lay in reproducing the unheard music inside himself. In this sense, Hannett was really the heir to the idiosyncratic and adventurous Joe Meek, Britain's first and oddest independent record producer.
At just shy of eighty minutes, this collection is more comprehensive than its two out-of-print predecessors. But some omissions are lamentable. Nothing from A Certain Ratio's early catalogue, none of his ultra-rare recordings with The Stone Roses, not one song from Magazine's Correct Use of Soap, and neither the punk-funk EP he produced for ESG in New York City, nor the two original songs he recorded all by himself on the Factory label's test card (Fac 14c) are included here. Instead precious space is wasted on early punk numbers by Slaughter and The Dogs and Jilted John, which were recorded before Hannett had fully refined his craft. Nonetheless, this long overdue album includes some happy surprises and firmly cements Hannett's legacy as the most distinctive, imaginative, and compelling record producer since Phil Spector. 2 of 2 people found the following review helpful:
4.0 out of 5 stars
Almost perfect,
By Lovblad - Published on Amazon.com
This review is from: Zero: A Martin Hannett Story 1977-1991 (Audio CD)
Martin Hannett was very very important in thr first post-punk years. He indeed seems to have produced almost everybody of note. On this CD you will find the Buzzcocks, Joy Division, U2, The Happy Mondays, New Order and Nico! One big problem is that there is really quite a bit of overlap with the also excellent North by North West compilation. At least the Buzzcocks, the Slaughter and the Dogs and the John Cooper Clarke numbers are on both samplers. This is probably due to contractual release issues but it does diminish the impact of both these nice collections. A the other reviewer wrote this would have been a great opportunity to have some really rare stuff, plus also some of Magazine's best efforts.This compilation while very good should have been perfect due to the quality of the material he has produced.
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