I'm not keen on present tense narrative. And I get annoyed at writers who skip from one character point of view to another's in mid-scene or at the drop of the hat, even if they use the excuse of omniscient POV.
Dunmore's debut novel exhibits these traits so really I should have stopped reading, but I didn't. I continued turning the pages because the prose - the descriptions of place, time and character - were powerful and a pleasure to read.
Stylistically, it may be Dunmore but it's also Lawrentian in the way the images and emotions are conveyed.
Quite an astonishing first novel, though I felt the ending was disappointing.