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Cinematographer Gordon Willis deserves a lot of the credit for "Zelig," creatively aging his film to blend with the archive footage that has Leonard rubbing elbows with Fanny Brice, Charles Chaplin and Rudolf Hess. This "documentary" includes "contemporary" interviews with Dr. Fletcher (Ellen Garrison) and other figures in the life and times of Zelig as well as comments from critics such as Susan Sontag and Saul Bellow ("He touched people in a way that they perhaps did not want to be touched..."). I also must commend the unique narrative style provided by Patrick Horgan, who delivers the sly narration with the driest sense of humor ever recorded.
My favorite section of this film is when Zelig becomes the national craze of the moment, to be celebrated and exploited by dolls, games and puzzles, songs like "Leonard the Lizard," and even a Hollywood movie. "Zelig" is a much more subtle documentary parody than either "Take the Money and Run" or "Spinal Tap." Truth, fiction and absurdity are blended seamlessly in this film, which is that most rare creature, a "charming" Woody Allen movie that is a much more enjoyable experience than reading "Moby Dick."
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