Thrillers don't get much more tense than when a child's welfare is threatened and in Gregg Hurwitz's You're Next there are two. One is the daughter of Mike Wingate, a property developer who has made a few mistakes in his life, but nothing so serious that his eight year-old daughter Kat should be threatened by two particularly nasty individuals. What is even more worrying to Mike is that the police seem more interested in him than in going after the criminals. The other child whose life has been jeopardised is Mike himself, the novel flashing back to show the strange circumstances in which he was abandoned as a child and left to fend for himself in a care home. There are a lot of gaps in Mike's past and it looks like someone is trying to fill them in for him. And not in a friendly way either.
Hurwitz knows that the emotive angle works well in this type of situation (there's a similar filling in the gaps situation in I See You where a man may have killed his ex-fiancée during a blackout), but particularly in a childhood context, and he manages to continually ramp up the tension to near fever pitch. But while he pushes the right buttons, the author also manages to show a great deal of originality in his playing out of the situation and in the characterisation. Nothing is gratuitously thrown in for thrills. There are a few shortcuts taken in Mike's progress from petty criminal to successful businessman and contented family man, but the gaps are where the heart of the conflict lies, establishing who Mike is and how he deals with the crisis when it comes to the crunch.
For every thriller cliché then, Hurwitz has an antidote. The typical big, silent thug, Dodge, is the sidekick to a villain with Cerebral Palsy. And to counterbalance Mike, we have his childhood partner-in-crime Shep on one side, warning him not to trust the system, and on the other another good friend, Hank, a PI who urges him to do the right thing. This presents Mike with some difficult choices, but a reconciliation needs to be made between his past and the present, because there in the middle is Kat, who, unless he chooses right, could find herself in the exact same position as Mike all those years ago. That's a neat parallel - a little too neat maybe - but it makes the nature of the high stakes at play here perfectly clear, and provides a whole lot of thrills, tension and suspense.