"To Your Scattered Bodies Go" is the first book in Philip José Farmer's "Riverworld" series. The title is derived from a poem by John Donne in which he imagines the resurrection of the dead; Farmer's novel also concerns this subject, although, unlike Donne's, his interest in the subject is not religious but imaginative and speculative.
The basic idea behind the novel is that every single human being who has ever lived, from the Stone Age up until 2008 AD, is simultaneously resurrected on a strange planet ("Riverworld") whose surface seemingly consists of one single river-valley several million miles long but only a few miles wide; on either side of the valley are impenetrable mountains. The planet has an equable climate and is covered in vegetation, but has no animal life other than earthworms and various types of fish in the river. Those people who died as children are resurrected at the age at which they died; those who died as adults are, irrespective of their age at death, resurrected as young men and women in their twenties with perfect, healthy bodies.
The main character is Richard Burton- not the actor who was twice married to Elizabeth Taylor (he was still alive when Farmer wrote the book in 1971), but his Victorian namesake, the famous adventurer, explorer, writer, translator and linguist. Other real historical individuals who feature prominently in the novel are Alice Liddell Hargreaves (the inspiration for "Alice in Wonderland") and the Nazi war criminal Hermann Goering, as villainous in the afterlife as he was on Earth. Another important character is Peter Jairus Frigate, a fictionalised version of the author himself; the two have the same initials, the same date of birth (1918) and the same home town (Peoria, Illinois). Remarkably, Farmer came within a year of predicting, through his alter ego, the date of his own death. We learn that Frigate died in 2008; Farmer himself was to die in February 2009.
In some ways the planet on which the dead have returned to life is a heavenly place, as all their physical needs are catered for. The warm climate means that clothes are not needed, and food and drink are provided, seemingly miraculously, by strange devices known as "grails". Life on this new world, however, predictably proves far from heavenly. The resurrected humans have psychological difficulties in coming to terms with an afterlife quite different to anything prophesied by any religion. They quickly revert to many of the worst features of their Earthly existence, including warfare and slavery. Most of the plot of the novel deals with Burton's exploration of this brave new world and his attempts to find out who is responsible for recreating the whole human race and why they should have done such a thing. (As this is only the first book of five, it is perhaps not surprising that no very clear answers are given- Farmer clearly wanted to keep some surprises in store for future volumes. It appears, however, that those behind the scheme are a shadowy group known as "the Ethicals").
The incorrigibly inquisitive Burton is a great character, but few of the others are particularly memorable, except perhaps for Alice, portrayed as a rather prim Victorian lady who nevertheless becomes Burton's lover, and she drops out of the novel in its second half when Burton strikes out on his own to discover the truth behind Riverworld.
As a prose stylist, Farmer is workmanlike but unremarkable; his great virtue is his ability to create a brilliantly imagined alternative reality. The novel is normally categorised as science fiction, although that is perhaps not the best description if one regards sci-fi as the genre which speculates about possible future developments in technology and how human society might be transformed by them. It might be more accurate to regard "To Your Scattered Bodies Go" as a metaphysical fantasy. The "science" employed by the Ethicals in creating Riverworld is so far in advance of anything that we can accomplish or even imagine that it becomes almost indistinguishable from magic. Farmer's aim, it seems to me, was less to ask questions about the future course of social development than to use an ostensible science fiction format to ask questions about existing human societies, about human nature and about such metaphysical matters as the purpose of existence. I look forward with pleasure to reading the next instalment in the series.