- Original Release Date: 20 July 2009
- Label: Type
- Copyright: (C) 2009 Type
- Total Length: 1:03:26
- Genres:
- ASIN: B002HPXRQK
- Average Customer Review: 5.0 out of 5 stars See all reviews (2 customer reviews)
- Amazon Bestsellers Rank: 235,698 in MP3 Albums (See Top 100 in MP3 Albums)
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| Song Title | Time | Price | ||
|---|---|---|---|---|
| Play | 1. Your Naked Ghost Comes Back At Night And Flies Around My Bed | 7:01 | £0.89 | |
| Play | 2. Erotique | 6:01 | £0.89 | |
| Play | 3. Too Many Demons Still Haunt This Land | 6:47 | £0.89 | |
| Play | 4. Oh Run Slowly | 5:54 | £0.89 | |
| Play | 5. Façade | 12:07 | £0.89 | |
| Play | 6. In The Forest Of The Night | 8:07 | £0.89 | |
| Play | 7. The Lonesome Poetry Of Mark Rothko | 17:29 | £0.89 |
Product details |
Customer Reviews
Most Helpful Customer Reviews
2 of 2 people found the following review helpful
Format:Audio CD
'Your Naked Ghost Comes Back At Night' is perhaps one of
the most sombre and unsettling albums I have ever heard.
Originally a 2004 release by Sylvain Chauveau and
Steve Hess, the seven tracks on this recording have
been reworked by Norwegian producer/composer
Helge Sten (aka Deathprod) into a sonic experience
of almost unbearable intensity.
This is not music for the faint-hearted.
Soundtracks to unthinkably dark dreams.
Empty, desolate, post-apocalyptic landscapes,
peopled only by fleeting and indistinct shadows.
There is no respite from the oppressive atmosphere.
In this terrifying vacuum optimism is not an option.
The stark, repetitive bass drone on 'Erotique' is anything but.
There is no desire or warm flesh in this particular world.
The bone-jarring, nerve-shredding noises sound as though
they might have been given life in a laboratory specimen jar.
Bad D.N.A. replicating towards an uncertain but horrible outcome.
What cannot love you will almost certainly devour you.
'Too Many Demons Still Haunt This Land' is no easier
to navigate. A nuclear wind sweeping across the
devastated terrain of a still-crumbling planet.
Giant foot-falls or the distant echoes of an on-going war?
We are blind, dumb and alone and cannot know for sure.
What little light breaks through the dense iron-grey skies
of 'Oh Run Slowly' does not have the power to warm us and
whatever is creating the rasping breath-like sounds behind
'Facade' we would not wish to know, let-alone meet.
Final track 'The Lonesome Poetry Of Mark Rothko'
could well serve as an ambient backdrop to the great
abstract-expressionist's inimitable paintings.... Read more ›
the most sombre and unsettling albums I have ever heard.
Originally a 2004 release by Sylvain Chauveau and
Steve Hess, the seven tracks on this recording have
been reworked by Norwegian producer/composer
Helge Sten (aka Deathprod) into a sonic experience
of almost unbearable intensity.
This is not music for the faint-hearted.
Soundtracks to unthinkably dark dreams.
Empty, desolate, post-apocalyptic landscapes,
peopled only by fleeting and indistinct shadows.
There is no respite from the oppressive atmosphere.
In this terrifying vacuum optimism is not an option.
The stark, repetitive bass drone on 'Erotique' is anything but.
There is no desire or warm flesh in this particular world.
The bone-jarring, nerve-shredding noises sound as though
they might have been given life in a laboratory specimen jar.
Bad D.N.A. replicating towards an uncertain but horrible outcome.
What cannot love you will almost certainly devour you.
'Too Many Demons Still Haunt This Land' is no easier
to navigate. A nuclear wind sweeping across the
devastated terrain of a still-crumbling planet.
Giant foot-falls or the distant echoes of an on-going war?
We are blind, dumb and alone and cannot know for sure.
What little light breaks through the dense iron-grey skies
of 'Oh Run Slowly' does not have the power to warm us and
whatever is creating the rasping breath-like sounds behind
'Facade' we would not wish to know, let-alone meet.
Final track 'The Lonesome Poetry Of Mark Rothko'
could well serve as an ambient backdrop to the great
abstract-expressionist's inimitable paintings.... Read more ›
Format:Audio CD
Unsettling and distinctly claustrophobic. If either of the previous are your thing, then this is for you. I am not as eloquent as the previous reviewer, but for me, this is an album to savour. It is up there with Lawrence English's, Kiri No Oto and Rosy Parlane's, Jesamine, as a fine example of abstractism in music. In fact, despite being a "difficult" listen, it maybe far more accessable than either of those albums. It has the massive sub bass tones so beloved of Mika Vainio, with a nod to Oren Ambarchi's wonderful lower register frequencies. Tracking it would prove fruitless, as it is just relentless in it's forward motion, with an almost organic quality. Chauveau and Hess are to be applauded for giving the material over for such a re-working. As with the Fennesz/On album. Indeed Chauveau, who is at times accused of being at the light weight end of the Glitch/Minimalist/Electronica scene, has shown he is not afraid to mix it up with the heavy weights.
Essential purchase.
Essential purchase.
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