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For Your Eyes Only [Blu-ray] [US Import]
 
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For Your Eyes Only [Blu-ray] [US Import]

Roger Moore , John Glen    Blu-ray
4.2 out of 5 stars  See all reviews (47 customer reviews)

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Product details

  • Actors: Roger Moore
  • Directors: John Glen
  • Format: AC-3, Dolby, DTS Surround Sound, Dubbed, Subtitled, Widescreen
  • Language English, French, Spanish
  • Subtitles: English, Spanish
  • Aspect Ratio: 16:9 - 2.35:1
  • Number of discs: 1
  • Classification: PG (Parental Guidance Suggested) (US MPAA rating. See details.)
  • Studio: MGM (Video & DVD)
  • DVD Release Date: 21 Oct 2008
  • Run Time: 128 minutes
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (47 customer reviews)
  • ASIN: B001AQMBIC
  • Amazon Bestsellers Rank: 207,714 in Film & TV (See Top 100 in Film & TV)

Reviews

Amazon.co.uk Review

After the lavish, effects-heavy splash of Moonraker, the twelfth Bond film and the seventh with Roger Moore concentrates more on core car-chase-and-crumpet values, evoking an almost retro feel that harks back to the first pressings of the Bond vintage in the 1960s. Starting to look a little wrinkly around the edges by this point, Roger Moore toughens his usually smarmy act up here with a gratuitous bit of killing, casually kicking a baddie and his car over a precipice, reviving memories of the ruthless streak with which Sean Connery made his name. Good old-fashioned Cold War politics lie at the heart of the plot, concerning a weapons system hijacked in the Mediterranean Bond must rescue. He's assisted by the exquisite Carole Bouquet, the only actress in history who can claim to have been both a 'Bond girl' and the star of a Luis Buñuel movie (That Obscure Object of Desire). Sadly, this is the first film to lack Bernard Lee's spymaster M, the actor having died beforehand, although British comedienne Janet Brown is on hand for an amusing Margaret Thatcher impersonation. --Leslie Felperin

On the DVD: The first audio commentary here is another one of those edited selections of interviews with sundry cast and crew members, tied together by an over-earnest host. Producer Michael G Wilson and others provide a somewhat more illuminating second commentary track. Once again the best extra feature is the "making of" documentary, which gives an almost scene-by-scene breakdown of the movie. The animated storyboard sequences will appeal to filmmaking aficionados. Avoid, if at all possible, the Sheena Easton video of arguably the most forgettable Bond song of all time (both song and score were perpetrated by series newcomer Bill Conti, not the estimable John Barry). --Mark Walker



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Customer Reviews

47 Reviews
5 star:
 (23)
4 star:
 (18)
3 star:
 (2)
2 star:
 (2)
1 star:
 (2)
 
 
 
 
 
Average Customer Review
4.2 out of 5 stars (47 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

8 of 8 people found the following review helpful:
4.0 out of 5 stars Moore's Most Serious Bond, 7 Sep 2007
By 
IWFIcon - See all my reviews
(VINE VOICE)   
AKA, the one where Moore's Bond kills in cold blood.

After the daft Moonraker there was a distinct effort to make this film more gritty. Moore's game of brinkmanship with the producers had started here (never committing to a new Bond flim until the last moment) which leaves the opening scenes (Bond visits his dead wife's grave) originally intended to introduce a new Bond. He also finally kills off Blofeld (though his name is never mentioned).

There are more chases and stunts in this Bond than most of the other films, or so it seems, and almost all are tense and exciting. Pick of the bunch are the exciting bobsled run and climbing sequences.

Moore IS starting to show his age here, and I could have done without the superfluous storyline of Bibi Dahl seducing Bond (thankfully he respectfully declines her advances) but I would still say that this is perhaps Moore's most impressive individual performance as Bond.

The real negative in the film is Julian Glover's Kristatos. A fine actor he may be, but he lacks the nasty over-the-top villainy of the best Bond bad guys. Still Carole Bouquet and Topol make memorable Bond allies and all in all the film is a thrill-a-minute wonder.
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4 of 4 people found the following review helpful:
5.0 out of 5 stars A classic bond adventure, and Moore's finest outing as 007, 20 April 2001
This review is from: For Your Eyes Only [DVD] (DVD)
This film has to be one of my personal favourites. Roger Moore is on top form in this, his fifth outing as 007. The plot is more realistic than the previous offerings, and the humour is superb. the acting is great and the settings and storyline are one of the best yet. An excellent addition to the series and one which I would wholeheartedly recommend.

Roger Moore is Bond.

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3 of 3 people found the following review helpful:
4.0 out of 5 stars More or less Roger's finest hour, 3 Nov 2008
By 
Trevor Willsmer (London, England) - See all my reviews
(HALL OF FAME REVIEWER)    (TOP 10 REVIEWER)   
This review is from: For Your Eyes Only [DVD] (DVD)
For Your Eyes Only is showing its age a bit now. At the time a hugely welcome return to basics after the leaden FX spectacle of Moonraker (the second remake of You Only Live Twice in a row for the series), it still holds up as one of the best of Roger Moore's Bonds, but its faults are much more apparent than they once were. Among them is the tendency to undercut everything with unfunny little jokes (a scoreboard keeping count of thugs Bond knocks out, Bond giving a bemused royal wave to pursuing thugs, and a horrendous cameo from a Maggie Thatcher lookalike in the end), some flat studio work (no disguising the fact that the mountaintop Greek monastery is just a Pinewood set), a dated Bill Conti score and a comic relief nympho nymphet Lynn Holly Johnson constantly throwing herself at a disinterested Bond. Luckily, the pluses more than compensate - a stronger plot than usual for the Moore efforts, at least one cold-blooded murder, and a very welcome absence of gadgets until the postscript that ensures that Bond has to extricate himself with his own wits in some pretty good setpieces. Best among them is a mountaineering sequence where he uses his bootlaces - not steel bootlaces, just common bootlaces - to save himself in an old mountaineers trick.

Incidentally, with Blofeld still sporting the neck brace he wore at the end of OHMSS, and with the film beginning at Tracey Bond's graveside it's tempting to think of the pre-title sequence as a way of making amends for the jokey way Bond's nemesis was disposed of in Diamonds Are Forever were the following sequence not the proud possessor of the most surreal line in the entire Bond series, the infamous "I'll buy you a delicatessen - in stainless steel!" So, while this may be one of the Moore serious of Roge's outings, it's not exactly Bergman territory.

Although the original DVD wasn't the most fully loaded disc on the market, there's less of an upgrade in terms of extras than meets the eye on this repackaged 2-disc 'ultimate edition.' Alongside Roger Moore's new audio commentary there are two deleted scenes, one of them a welcome addition that brings a bit of tension to Bond and Melina's relationship as she chastises him over his nocturnal activities, but the three new featurettes are little more than fairly raw behind the scenes footage while the multi-angle alternate versions of Bond's cold-blooded killing of Loque are particularly badly laid out. The menu also lists the 3 slight variations on the theatrical trailer carried over from the previous edition as TV spots!
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