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Review Charlie Simpson has worn his pop past with Busted like a hairshirt, ever since he walked out of the band in favour of his post-hardcore project Fightstar, the credible alternative to his teenybopper day job. It's a shame that he feels like this as both bands have had their moments, and he's clearly a gifted singer and songwriter.
And there's no need for him to further expunge his past by bringing out a singer-songwriter album of beefy, folkish indie confessionals, which could, in their own AOR way, prove to be a worse crime against music than Year 3000 or Floods ever were.
Young Pilgrim is a side project, the result of Charlie having a bit of time on his hands and a bunch of songs that won't fit his current musical brief. So having temporarily turned his back on calling down the very heavens with Fightstar, he's re-entered the world where melody is king, but still brings that sense of overwhelming gravitas with him.
There's a lot of walking streets alone, blisters cracking over skin, melancholy trips to childhood haunts, and a lot of soul-searching: classic singer-songwriter fare. Thankfully, our hero has two important things on his side: a robust way with a tune and a swag-bag rammed with glorious multi-tracked harmonies. Cemetery, Suburbs and I Need a Friend Tonight are resplendent with his many voices. Even the incredibly Script-ish Hold On is partially redeemed by a few careful multi-Charlie moments.
The result, while it lacks anything which is truly astonishing, is a very grown-up sort of pop music - think Lonestar with a Snow Patrol frosting - and could possibly be the final public atonement for crimes that only he believes he committed in the first place.
--Fraser McAlpine
Find more music at the BBC This link will take you off Amazon in a new window
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