Justin Nozuka is a talented Canadian/American singer/songwriter.
I would like to draw your attention to this fine album before it sinks
below the fickle horizon of the listening world (as it almost surely will).
'You I Wind Land and Sea' is, in fact, his second excursion. His first, 'Holly', released
in 2007, is also worthy of attention. That project more than ably demonstrated
his potential but the new recording is a far more polished and well-rounded
confection. There are twelve songs in the collection. They are all very good songs!
Mr Nozuka has a distinctive voice. Soulful, expressive and with some attractive
rough edges. His falsetto, which he uses economically, is a useful extra which
adds occasional colour and variation to his vocal palette.
His laid-back musical style denotes that he is a lyrical troubadour at heart.
He writes good tunes and workmanlike lyrics and isn't interested in showing off.
The complete absence of artifice and extraneous decoration is refreshingly engaging.
(If you enjoy the work of Jack Jones it is very likely that you will get on with Mr Nozuka too).
A relatively small musical ensemble, including old friends Mark Pellizzer on Keyboards
and guitars and Alex Tanas on drums, help put flesh on the bones of the relatively
uncluttered arrangements. A string quartet (Kathryn Sugden & Karen Graves, violins;
Eric Paetkau, viola and Kevin Fox, cello) is economically and sensitively employed,
as are the backing vocals provided by Gabe Dixon, Rique Franks, Colina Phillips
and Sharon Lee Williams (their warm gospel tones on 'Soulless Man' contribute to
the track being one of the album's highlights).
Standout numbers include opening song 'Gray', whose elusive, quasi-Indian ambience
takes its time to work into our consciousness. The serpentine melody is beautifully sung;
'Carried You' is a slick piece of late-night jazzy listening, loose-limbed and classy
(Both Robert Palmer and Boz Scaggs came to mind in Mr Nozuka's slick performance);
'My Heart Is Yours' is a simple and simply beautiful love song which communicates
its warm message with easy conviction; 'Unwoken Dream' sparkles like a small jewel
in a medieval crown, a magical composition redolent of Joni Mitchell's earliest work.
By far the most powerful song in the bunch is 'Swan In The Water'. It just seems to
pour out of the heart of the man in a torrent of painfully tormented imagery and
poignantly unbridled emotion. A truly moving rendition of a stunning musical invention.
Final track 'How Low' is another marvelous song. One man and his guitar howling at the moon!
(I came very close to howling along with him!) A consummately crafted conclusion.
100% quality above fashion. 'You I Wind Land and Seal' is the real deal.
Highly Recommended.