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The narrative peaks here are human-sized, elevated by gentle humour and clear-eyed faith in the existential importance of these intersecting small-town lives. Linney is simply superb as Sammy, wild girl gone good, involuntarily "mothering" every man in her life. An authentic original, newcomer Ruffalo gives his modern-day Huck Finn a drawling, James Dean delivery tuned somewhere between a screwup's whine and the twang of pothead wisdom. (Hard to think of another recent film that so deftly nails down the rich dynamics of everyday conversation--the starts and stops, circumlocutions, clichés, sudden veers into revelation and eloquence.) This is that rarity, an action movie of the heart: no explosions or epiphanies, yet everything evolves through the catalysts of character and experience. --Kathleen Murphy, Amazon.com
The story takes place in a rural locale. The opening scene shows a car accident in which a man and a woman are killed. The next scene shows a law enforcement officer breaking the news of their deaths to a young girl who is babysitting her younger brother. The movie now goes forward in time. The brother, Terry, now grown, is returning home after a long sojourn away. Home is where Sammy, his sister, lives with her eight year old son. She lives in their childhood home. Sammy and Terry have their reunion, but it is not the one that they each dreamt of having.
What happens to them, when Terry comes home, is a rich tapestry of human emotions, which is deftly woven into a complex family drama. This character driven film is compelling, keeping the viewer fully absorbed, as the story unfolds. Well nuanced, memorable performances provide the icing on the cake. This movie was a veritable surprise and a most enjoyable one, at that.
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