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Yes, U
 
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Yes, U

DevastationsMP3 Download
3.0 out of 5 stars  See all reviews (1 customer review)
Price: £7.90
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Two MP3 albums for £10
Buy this MP3 album with any other MP3 album under £8 and pay no more than £10 for both (terms and conditions apply). Just look for any album with this message, put it in your basket with another eligible title and the discount will be applied at checkout.
 
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  Song Title Time Price    
Play   1. Black Ice 5:36 £0.79
Play   2. Oh Me, Oh My 7:40 £0.79
Play   3. Rosa 5:10 £0.79
Play   4. The Pest 5:51 £0.79
Play   5. As Sparks Fly Upward 4:03 £0.79
Play   6. Mistakes 3:05 £0.79
Play   7. The Face Of Love 4:32 £0.79
Play   8. An Avalanche Of Stars 5:14 £0.79
Play   9. The Saddest Sound 4:00 £0.79
Play 10. Misericordia 5:20 £0.79
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2 of 2 people found the following review helpful
Who, me? 11 Feb 2009
By Gannon TOP 1000 REVIEWER
Format:Audio CD
Unforgivable text-speak aside, The Devastations last outing with Coal was a heartfelt, gravely voiced nightcap of an album, which strongly recalled the Tindersticks at their finest. `Yes, U' is a different proposition, which takes the listener time to warm to, such is the variance from their previous offering. Nevertheless, it contains plenty of noteworthy moments, despite album opener `Black Ice' starting like a soft-porn soundtrack with its lazy, soft, synthy beats and percussion. Luckily, this track then evolves into a sultry shuffle, which gets the toes a-tapping to Standish's catchy rhetoric, `Is this some kind of slow dance?'

`Oh Me, Oh My' recalls Super Furry Animals at their most minimalist, `The Face Of Love' evokes Nick Cave circa Murder Ballads. Its touch of piano brings a spot of class to proceedings. `An Avalanche Of Stars' sees Standish embody Jarvis Cocker and twins his sardonic drawl with Pulp's lazy, pop constructions. The track that most recalls Coal is the slightly saccharine, `The Saddest Sound', which is an effortless, emotive ballad.

The problem lying within this album is its anonymity. Each time after listening, it takes a moment to remember who it was that has played. `The Pest' is neither memorable, nor annoying as the title suggests, `Misericordia' an instrumental closer that leaves the listener indifferent. Perhaps the album title is there to jolt the listen into memory, more likely a plea to the same end. `Yes, U' is harmless and enjoyable, an unobtrusive soundtrack to your chore of choice.
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