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'Mackintosh-Smith's achievement is to create an entertaining and enlightened view of Yemen, free from the familiar prejudices about Arabs, touched instead by sophistication and savagery, by grim reality and fabulous tales . . . masterful'
(Sunday Times )'Yemen . . . is assured and agile: witty, quirky, gossipy, learned, poetic . . . [Tim Mackintosh-Smith] has created a work that will endure'
(The Times )'Mackintosh-Smith seems incapable of writing a dull sentence, and in him the scholar, the linguist and the storyteller swap hats with marvellous speed'
(New York Times )'Mackintosh-Smith succeeds admirably in shining a light on an obscure corner of the world'
(Financial Times )'He freshens the genre, adding a street-wise sensibility to impressive erudition . . . very promising and accomplished'
(Times Literary Supplement )Our ideas of the Arabian Peninusula have been hijacked: by images of the desert, by oil, by the Gulf War. But there is another Arabia.
For the Classical geographers Yemen was a fabulous land where flying serpents guarded sacred incense groves. Medieval Arab visitors told of disappearing islands and menstruating mountains. Vita Sackville-West found Aden 'precisely the most repulsive corner of the world'. Arguably the most fascinating but least known country in the Arab world, Yemen has a way of attracting comment that ranges from the superficial to the wildly fictitious.
In Yemen: Travels in Dictionary Land, Tim Mackintosh-Smith writes with an intimacy and depth of knowledge gained through over twenty years among the Yemenis. He is a travelling companion of the best sort - erudite, witty and eccentric. Crossing mountain, desert, ocean and three millennia of history, he portrays hyrax hunters and dhow skippers, a noseless regicide, and a sword-wielding tyrant with a passion for Heinz Russian salad. Yet even the ordinary Yemenis are extraordinary: their family tree goes back to Noah and is rooted in a land which, in the words of a contemporary poet, has become the dictionary of its people. Every page of this book is dashed - like the land it describes - with the marvellous.
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