The Yellow River Concerto was performed admirably by the Slovak Radio Symphony along with the talented pianist Mr. Yin Chengzong. The first movement started with a brilliant crescendo symbolizing the very power and the strength of the yellow river, and soon the theme is introduced and repeated by the piano 4 times before continuing on. The 2nd movement, titled "Ode to the Yellow River", introduced by cellos, shows the beauty and the grandness of the yellow river. However, unlike most 2nd movements, the music soon erupts into several climaxes before finally dying down. The 3rd movement starts calmly with flutes and dies down. Suddenly, the piano rushes in with a second theme, and the music becomes dramatic, full of pathos and suppressed anger. Finally a third theme is introduced, clam yet powerful, and the movement ends. Like the first movement, the 4th movements starts out with another crescendo, yet this time it is carried out by the piano. Soon, a repetitive theme is introduced, somewhat like a chant. It is also interesting to note that the chromatic climbs carried out by strings illustrates the very waves of the yellow river. Finally the crescendo used in the beginning is used again to introduce the theme from "The East is Red", which is probably used to honor Mao and the independence of the PRC. With the final theme of "The East is Red" played out, the pianist makes one final crescendo before the piece ends brilliantly.
The articulation carried out by Mr. Yin Chengzong is near impeccable, great balance between the hands, and the dynamics dramatic and effective. This indeed is a great buy considering its below average price with its above average quality.
*Edit* In response to user 'None-whatsoever's post below: Yes, we're all entitled to our own opinion of how a nature-inspired piece of symphonic composition ought to sound. Perhaps you're referring to famous symphonic poem Die Moldau, with its stirring themes depicting the streams trickling into the river, and the mighty forces that build up throughout the process. Correct, but you must factor in that this composition is not merely about nature, but more so the pride and culture of the Chinese people. And no, this isn't 'die-hard communism' or any distorted Western conception of a biased and comical view of communism. China, at the time of the composition, was facing the threat of extinction - the extinction of a national people!! Music, especially nationalistic music, was the sole departure point of the resistance's rallying call, so of course it has to be bombastic! Else, the Chinese people, with its 5000 years of history, would have perished! This is music to rouse the people into fighting, and not into admiring and appreciating the feelings associated with nature. And so what if it lacked the 20th century harmonic innovations that other composers have employed? If you gave the masses a piece of hybrid 12-tone Schoenbergian concerto .. it would certainly original, but it won't be understood by the masses. The Chinese composers of WWII era did not have the luxury to experiment.. because had the resistance not succeed, there would be nothing to experiment with afterwards.
Yes, its always fun to take a different and unconventional point.. when I was a teenager I did that too. But do your research, and not try to be critical when you have no basis to be.