Is Menuhin the most polarizing violinist of 20th century? I could understand why some people find it hard to enjoy his playing, but still I was astonished to have read Michael's hostile commentary (Michael "Strings Researcher"). There is no denial that Menuhin's technical mastery had become increasingly shaky in his maturity, which inevitably interfered with his interpretation. But his musical sensitivity remained potent; his tone, to my ears at least, was forever golden and full of color. His personality, though at times seemed naive, was entirely pure, free of the ill thoughts and the grudges against other violinists that Michael and V. Stasov have imagined.
There are many riches in his recorded legacy: among them I particularly love his second mono cycle of Bach's sonatas and partitas from mid 1950s (J.S. Bach: Sonates & Partitas), for who else could have played (or even dare to play) these pieces with such fire, virility and grand Romantic gesture? His Bartok is legendary (Bartok: Violin Concertos, Viola Concerto, 6 Duo for 2 Violins, Violin Rhapsodies; Yehudi Menuhin). The viola concerto from the 1960s with Antal Dorati and New Philharmonic Orchestra is singularly soulful and penetrating, surpassing the readings of many a viola virtuoso. Menuhin also conducts with distinction. His Beethoven symphonies (recorded with Sinfonia Varsovia; Beethoven: The Symphonies (Box Set)) really bring out the humanity of this music, a feat lost to even a number of big names in the podium. It is true that Menuhin had bad days as a violinist. I am sure that he must had realized how embarrassing it was to play before public with failing standards. But I guess he had just the sort of American optimism and confidence which carried him through all this misfortune and hardship. He was, despite everything, tough, persistent and loving.
Menuhin the violinist was unfortunately flawed, but his music was nonetheless beautiful, true and moving. He was a unique, uncompromising artist, a great musician, revered by no other than the likes of Paul Tortelier, Glenn Gould and David Oistrakh himself.
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This documentary lovingly produced by Bruno Monsaingeon focused on Menuhin's career as a violinist. As already mentioned by other reviewers here, it did not directly address the technical/artistic crisis that Menuhin had suffered and survived. In the film, one learns about the artist's personal life and gets to hear (and watch) him playing along many great musical personalities (all very brief though), including Wilhelm Furtwangler, Ferenc Fricsay, Glenn Gould and Menuhin's sister Hephzibah, an underappreciated pianist. The program concluded with Menuhin's blazing rendition of Bach's chaconne.