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Year Zero Import

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Frequently Bought Together

Year Zero + With Teeth + The Fragile
Price For All Three: £21.90

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Product details

  • Audio CD (16 April 2007)
  • Number of Discs: 1
  • Format: Import
  • Label: Universal
  • ASIN: B000O178BY
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (68 customer reviews)
  • Amazon Bestsellers Rank: 242,106 in Music (See Top 100 in Music)

1. Hyperpower!
2. The Beginning Of The End
3. Survivalism
4. The Good Soldier
5. Vessel
6. Me, I'm Not
7. Capital G
8. My Violent Heart
9. The Warning
10. God Given
11. Meet Your Master
12. The Greater Good
13. The Great Destroyer
14. Another Version Of The Truth
15. In This Twilight
16. Zero Sum

Product Description

From the Artist This record began as an experiment with noise on a laptop in a bus on tour somewhere. That sound led to a daydream about the end of the world. That daydream stuck with me and over time revealed itself to be much more. I believe sometimes you have a choice in what inspiration you choose to follow and other times you really don't. This record is the latter. Once I tuned into it, everything fell into place... as if it were meant to be. With a framework established, the songs were very easy to write. Things started happening in my "real" life that blurred the lines of what was fiction and what wasn't. The record turned out to be more than a just a record in scale, as you will see over time. Part one is year zero. Concept record. Sixteen tracks. All written and performed by me, produced / programmed by me and Atticus Ross, mixed by Alan Moulder, mastered by Brian "Big Bass" Gardner. Release date: April 17, 2007. What's it about? Well, it takes place about fifteen years in the future. Things are not good. If you imagine a world where greed and power continue to run their likely course, you'll have an idea of the backdrop. The world has reached the breaking point - politically, spiritually and ecologically. Written from various perspectives of people in this world, "year zero" examines various viewpoints set against an impending moment of truth. How does it sound? You will hear for yourself soon enough, but given the point of this document is to provide information... This record is much more of a "sound collage" than recent efforts from me. A lot of it was improvised. It is very tedious describing your own music. It's not just music. It's probably too long, but it felt like the right thing to do to paint the complete picture. It will sound different after a few listens. You can think about it and it will reveal more than you were expecting. You can dance to a lot of it. You can f*** to a lot of it (maybe all of it depending on what you're into).

Customer Reviews

4.3 out of 5 stars

Most Helpful Customer Reviews

21 of 21 people found the following review helpful By L. Donaghy on 23 Sep 2007
Format: Audio CD
When a friend loaned me his copy of Year Zero, it was the first time I had sat down and properly listened to anything by Nine Inch Nails. (Since then I've really got into them.) At first I wasn't really fussed: it seemed like angry lyrics set to a load of electronic chaos. But after a few listens, the music started to resolve itself into something really brilliant.

First things first: Year Zero is a concept album set in 2022 (or 'Year Zero' under the new calendar adopted in the USA), in a world where the governments put sedatives in the water to keep the masses blinkered, dirty bombs go off in Los Angeles, climate change wreaks havoc and war is a constant reality. Towards the end of the album, a mysterious entity called The Presence begins to make itself apparent.

The story of Year Zero is told from the perspectives of people in very different positions: the compliant citizen, the disillusioned soldier, members of the government, rebels, even The Presence.

It's hard not to pick out highlights: Hyperpower! mixes fairly standard alt-rock with the sounds of marching, screams and explosions. The Beginning Of The End and The Good Soldier are damn catchy. Meet Your Master is easily the funkiest song on the album. The first half of The Great Destroyer is excellent, until it degenerates into bleeps and static, which is an aspect of NIN I don't particularly like.
For me, In This Twilight is the most poignant - it's also probably the most optimistic and radio-friendly song on the album, with (ironically enough given that I just said it was optimistic) two doomed souls watching the final sunset before the imminent apocalypse.

All in all, it's an excellent album and I look forward to next instalment of the story due out next year. I have to confess, I'm curious as to where one can really go from the extinction of the human race... (Then again, Muse managed it after Absolution and released their best album to date, so fingers crossed!)
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8 of 8 people found the following review helpful By Mr. J. Milton VINE VOICE on 17 April 2007
Format: Audio CD
It goes without saying that Trent Reznor is a musical legend in his own right. Album after album, he changes his sound, tries to outreach his own limits, and normally somehow succeeds. And in "Year Zero", his latest offering, he certainly isn't playing it safe. The drugs have vanished, the gothic instrumental style, has vanished (apart from opener HYPERPOWER!). But does this make much of a difference? Based on "Survivalism" solely, no, and as for the rest of the album, you can give the same answer.

He flies through this album like a soaring rocket flying higher with more confidence, he sounds like he didn't try too hard, didn't find it too hard to make this record, and that is a little touch that makes it more pleasing overall. Obviously through, he can still produce the sense that the sky is going to fall in over your head like an enraged juggernaut, and can still make genuinely scary songs. The single, "Survialism" is glorious, unashamed and downright ugly. It's modern rhythm stunned my ears the first time I listened to it and it still does after its 30th listen. You will never to get tired of it, however that can't be said for every single song on this album.

"Vessel" has its jawdroppingly uncomfortably lyrics, "I'll let you put it in my mouth/ I'll let it get under my skin" and there is the mixture of electronica and heavy guitar, something which dominates the record, but there is something about it which puts you off listening to it again, it doesn't go too far. And the closer, "Zero Sum" leaves you feeling like you've heard it all before, but it's an interesting way to finish a record, to remind you of everything you've heard, whether it was purposeful or not.

But dear God, when NIN deliver, they deliver big time.
Read more ›
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19 of 20 people found the following review helpful By DarrylS on 1 Jun 2007
Format: Audio CD
It has now been nearly 20 years since the release of Pretty Hate Machine, and Trent Reznor heads into his forties a changed man.

Much has been written about how Reznor has kicked his demons to the kerb, no longer taking the drugs or alchohol that fuelled the excess driven Downwoard Spiral / Fragil years.

'With Teeth', the precursor to 'Year Zero' saw a almost shy Reznor step back into the limelight, after many years of letting his one time protegee' Marilyn Manson take centre stage. It was, in Reznor's own admissions, disjointed and lacked the confidence that filled previous works.

However, with 'Year Zero', Reznor has found his muse again.

the opening track 'Hyperpower' starts the album with a bang, with loud coruscating guitars and synths fighting for supremacy, reaching a crescendo that harks back to 'Mr Self Destruct', the opener of TDS.

'The Beginning Of The End' gives an insight into where the album will take the listener - the ideas of this being a soundtrack to fifteen years hence is laid. The lyrics also point to Reznor now turning his attention to politics rather than the introspection of TDS or PHM - this is quite obviously his attack on the Bush regime (amongst others).

Survivalism, the first (and quite possibly the only, given Reznors recent attacks on record company greed) single taken from YZ is a dance floor stomp, as infectious as Closer, with backing vocals from Saul Williams.

Each track is outstanding, taking the listener through a journey which doesn't end here - this is but the first of three albums which will deal with the Year Zero Concept.

Buy this.
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