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Year Zero: A Novel (Unabridged)
 
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Year Zero: A Novel (Unabridged) [Audio Download]

by Rob Reid (Author), John Hodgman (Narrator)
4.0 out of 5 stars  See all reviews (2 customer reviews)
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Product details

  • Audio Download
  • Listening Length: 9 hours and 53 minutes
  • Program Type: Audiobook
  • Version: Unabridged
  • Publisher: Random House Audio
  • Audible.co.uk Release Date: 10 July 2012
  • Language: English
  • ASIN: B008JFQXYA
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)
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Product Description

An alien advance party was suddenly nosing around my planet.

Worse, they were lawyering up....

In the hilarious tradition of The Hitchhiker's Guide to the Galaxy, Rob Reid takes you on a headlong journey through the outer reaches of the universe - and the inner workings of our absurdly dysfunctional music industry.

Low-level entertainment lawyer Nick Carter thinks it's a prank, not an alien encounter, when a redheaded mullah and a curvaceous nun show up at his office. But Frampton and Carly are highly advanced (if bumbling) extraterrestrials. And boy, do they have news.

The entire cosmos, they tell him, has been hopelessly hooked on humanity's music ever since "Year Zero" (1977 to us), when American pop songs first reached alien ears. This addiction has driven a vast intergalactic society to commit the biggest copyright violation since the Big Bang. The resulting fines and penalties have bankrupted the whole universe. We humans suddenly own everything - and the aliens are not amused.

Nick Carter has just been tapped to clean up this mess before things get ugly, and he's an unlikely galaxy-hopping hero: He's scared of heights. He's also about to be fired. And he happens to have the same name as a Backstreet Boy. But he does know a thing or two about copyright law. And he's packing a couple of other pencil-pushing superpowers that could come in handy.

Soon he's on the run from a sinister parrot and a highly combustible vacuum cleaner. With Carly and Frampton as his guides, Nick now has 48 hours to save humanity, while hopefully wowing the hot girl who lives down the hall from him.

©2012 Robert Reid; (P)2012 Random House Audio

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Format:Hardcover
Nick Carter is a New York City intellectual property lawyer teetering on a career precipice. Only bringing in some fantastic new client can save him from getting the boot. That's doesn't seem likely, though, until a couple of aliens materialize in his office, bringing him the biggest copyright infringement case of all time.

Carly and Frampton tell Nick (who they think is Nick Carter from the Backstreet Boys in a second career) that aliens discovered Earth music some years back, during the "Kotter Moment," the instant when their monitoring of US airwaves allowed them to hear the Welcome Back Kotter theme song. It threw them into such ecstasies that brains literally melted. They sent teams to a secret tunnel under the Waldorf Astoria to copy all of the Earth's music for the listening delight of the universe.

The problem is, the universe is run by the Refined League, who insist that all local laws be obeyed, which means that the fines for unauthorized music copying will bankrupt the entire universe. Some think a better solution is to obliterate the Earth. Carly, Frampton and Nick race against the clock to find a solution before the Earth goes boom.

There follows a wild ride through time Wrinkles, meetings with aliens like pluhhhs, Perfuffinites and the Guardians from the planet Fiffywhumpy. Some are cute and some are extremely scary. But on a scale of scariness, none can rival Judy, the partner at Nick's firm whom they decide is the only person crazily aggressive enough to win this fight.

Author Rob Reid was the founder of Listen[dot]com, which initiated the Rhapsody music streaming service. He has been a longtime critic of the music industry, its lawyers and lobbyists, over their music copyright stands. He satirizes them relentlessly in Year Zero. It's funny stuff. The book's footnotes contain some real gems and should not be skipped----the way footnotes often are, even though we don't like to admit it. And don't omit the endnotes either, where you'll see playlists of the book's key characters. They'll have you giving your iTunes a workout.

Reid has a rollicking, smart-alecky writing style (describing a protective mob as appearing as if they "had just heard that their kid sister was at the junior high school dance with R. Kelly"), and strong characterization and dialog skills, but he stumbles somewhat in the plotting department. In his acknowledgments, he mentions one person as giving him the "polite but firm suggestion that I consider adding a plot to the book after reading an early draft of it." No doubt he added some, but more would have been better. As it is, the book has less of a story arc than a squiggle. All in all, though, this is a promising effort for a first-time novelist and an amusing read. I'm giving it 3.5 stars, rounded up to 4 stars.

Note: How weird is it that I've read two books in a row with meetings set in the secret rail tunnel underneath the Waldorf-Astoria Hotel that Franklin Delano Roosevelt used to travel on? The other book, which I do NOT recommend, is the mystery Jack 1939, by Francine Mathews.
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4.0 out of 5 stars How much is that in real money? 18 July 2012
Format:Hardcover
Of course, we all know about the affinity aliens have for Earth's music. Just like we know how undeserving we are to be included in their federation of worlds that have demonstrated mature behavior. Earth. Behaving maturely. Right.

Our hero, I use the term unbelievably loosely, is selected by his name (even extraterrestrials aren't perfect) to be the contact to resolve a universe wide problem of paying for illegal downloading of our music by trillions (or more) of denizens of the near and far reaches of, well, everywhere that isn't here.

Through kooky means that doesn't involve spaceships, kiosks or other familiar conveyances, our hero not so boldly goes where no human has gone before and ends up on the set of ... oops. Nah, too unbelievable for a review. He also meets a less than three-dimensional .... Ditto. Moving back and forth between somewhere in space to FDR's .... Darn. Well there is a lot that is believable in context. Probably.

This is not the same as Douglas Adam's work, though today's publishing world is obligated to find parallels for every new book. In fact, I don't remember even one towel. It does have some of the same elements of side-stepping through the story, though, and it is quite humorous - if you relax and let it be. Making comparisons with other books will cause unfair expectations.

This was an enjoyable book. I think Reid created something unique enough to stand on its own and even build on. I'd gladly read another set in the world he created. Grab this one and just have fun.

(I received an Advance Reader's Copy from the Amazon US Vine program.)
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