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Review Over three albums, though, Def Jam's Ne-Yo - aka Los Angeles singer-songwriter, Shaffer Chimere Smith - has found a way to stand out from the crowd. From its cover, Smith posing in tailored suit in echo of an old Rat Pack sleeve, to its new-school production - with its 4/4 disco beats and shimmering, layered synths, as likely to evoke Daft Punk as Usher - Year Of The Gentleman is out to make ground between it and RnB cliché. And while, often, the songs within hit familiar emotional buttons - Single, for instance, is a honeyed slowie that finds our host telling all the jilted or lonely girls that, ''I'll be your boyfriend til the song goes off'' - there are other tracks here that spin on traditional R&B themes. The synthesiser-heavy Miss Independent is a love letter to a girl who's a player in her own right: ''Everything she got, you bet she bought it''.
Meanwhile, a central three-song run showcases an emotional breadth that's rare in the genre. Why Does She Stay, a bare backdrop of piano and electric fizzes, finds Ne-Yo admitting his own neglectful nature and questioning his lover's loyalty: ''She's so much better than me/I'm so unworthy of her!''. Fade Into The Background comes after the break-up; our narrator watching his previous lover with another, honest about his faults. And So You Can Cry is a nicely pitched heartbreak number with echoes of Stevie Wonder, replete with finger-clicks, layered harmonies, and harpsichord.
It's these tracks that set Ne-Yo above the usual crowd, and will ensure that he's around for a while yet --Louis Pattison
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