Due to circumstances, bought unauditiond to replace a 20 year old Pioneer A-400 on its last legs (down to 1 line input). Other kit includes Linn Axis turntable, Marantz CD recorder DR6000, Denon TU-260L Tuner (plus huge roof aerial that cost twice as much!), Akai Reference Master GX95-II cassette deck, Monitor Audio Bronze BXII speakers blutacked to short heavy sand filled spiked stands (forgotten the make), short runs of mains cable for the speakers plus a mix of Chord and Kimber phono interconnects of various ages. As you can see, I'm not a manic upgrader, but I do appreciate decent sound quality having spent much of my working life sat in professional sound recording studios.
First off, this is a big heavy amp - 435mm wide(front fascia which projects slightly beyond the casing), 151mm high(inc. feet), 387mm deep(inc. switches and sockets). 18mm(ish -estimated, not tried) height can be saved by unscrewing the feet. 22.7 lbs weight. Measure up carefully if using a rack system to make sure it will fit.
Personally I find the plain late 70's/early 80's retro styling very attractive. The switches which do not have illuminated position indicators are rectangular, making it very easy to see which position they are in from the other side of the room. There are 7 inputs - Line 1, Line 2, Line 3, CD, Tuner, Dock, MM Phono. All inputs use phono connectors, except Dock which uses Yamaha's proprietary locking multipin connector and requires the additional purchase of a Yamaha iPod/phone dock - well worth it for the improvement in audio quality if you use your iPod a lot as a source, as the input is balanced, and the iPod can be controlled from the Yamaha remote. The dock also acts as a re-charger, and has its own separate power supply inside the amp.
At bottom left of the fascia next to the mechanical power switch and a gold plated full size headphone jack, two small switches include a record out selector, which enables one source to be recorded while listening to another, and Speakers Off/A/B/A+B. In the centre of the facia are the larger rectangular Bass, Treble, Balance, and Loudness controls, which I don't use, but which are said to be of good quality and subtle in operation. These can be taken out of circuit by the (for me) all important 'Pure Direct'(aka tone and balance defeat) button. Using this produces a subtle but noticeable improvement in dynamics, attack, low level resolution of detail and 'air'. I just find myself enjoying the music more when 'Pure Direct' is on.
Although widely quoted as being an 85W x 2 into 8ohm amp, it is in fact 100W x 2 into 6ohm RMS. Transient power delivery is stated as 185W x 2 into 4ohm, 220W x 2 into 2ohm. (Specs from last page of the owner's manual). Subjectively, it provides much more undistorted amplification than I need!
As far as audio quality, all I can say is that it is superior in every respect to the Pioneer A-400 it replaced, especially being more neutral and balanced. The A-400 was an excellent amp in its time,especially as regards dynamics and attack, but was on the light bright side, requiring careful speaker selection. I haven't hooked up the Linn yet, so audio quality refers to the line inputs. In other reviews the MM phono input seems to be OK but nothing special. I imagine vinyl specialists would want to use an external phono pre-amp to one of the line inputs.
But don't take my word for it - auditioning highly recommended! At 300 quid it gets an unambiguous 5 stars.