Xenocide: Ender Series, book 3 (The Ender saga)
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Amazon.co.uk Review
Xenocide is Card's best-selling sequel to the Hugo Award-winning Ender's Game and Speaker for the Dead.
--This text refers to an out of print or unavailable edition of this title.
Review
"The finest science fiction series of the past decade." --"The Columbus Dispatch"
"The best writer science fiction has to offer.' --"The Houston Post"
"As a storyteller, Card excels in portraying the quiet drama of wars fought not on battlefields but in the hearts and minds of his characters....This meaty, graceful, and provoking sequel to "Ender's Game" and "Speaker for the Dead" stands as a brilliant testimony to his thoughtfulness." --"Library Journal"
"Hugo and Nebula-award winner Orson Scott Card demonstrates again that he belongs in the company of such older masters of science fiction as Isaac Asimov, Frank Herbert and Ursula K. Le Guin." --"Magill Book Reviews"
"The best science fiction novel of the year." -"-Nashville Banner"
--This text refers to an out of print or unavailable edition of this title.
"The best writer science fiction has to offer.' --"The Houston Post"
"As a storyteller, Card excels in portraying the quiet drama of wars fought not on battlefields but in the hearts and minds of his characters....This meaty, graceful, and provoking sequel to "Ender's Game" and "Speaker for the Dead" stands as a brilliant testimony to his thoughtfulness." --"Library Journal"
"Hugo and Nebula-award winner Orson Scott Card demonstrates again that he belongs in the company of such older masters of science fiction as Isaac Asimov, Frank Herbert and Ursula K. Le Guin." --"Magill Book Reviews"
"The best science fiction novel of the year." -"-Nashville Banner"
--This text refers to an out of print or unavailable edition of this title.
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Most Helpful Customer Reviews
6 of 6 people found the following review helpful
Format:Paperback
Third in Orson Scott Card's "Ender" cycle, "Xenocide" charts the events on the planet of Lusitania, home to all three sentient species in existence, two of which are not represented anywhere else in the universe. All living things on Lusitania are subject to a virus, the Descolada, which attacks and modifies the genetic information of the host and is evolving rapidly to the extend that combating it requires constant alteration of viricides in both non-native sentient species. Yet the native species, the Pequeninos, require the Descolada to survive, as it forms the means by which they transform into the different phases of their lifecycle. Any species looking to leave the planet would be required to take the Descolada with them, as it adapts and becomes a necessary part of any organism's genetic make-up. This is one of the main problems the planet is faced with, but the second is equally serious:
Lusitania is under threat of being annihilated by a fleet sent by Starways Congress, because the planet's scientists have broken the law of not interfering with alien species by helping the sentient Pequeninos to gain a foothold in agriculture. Rather than sending the scientists to trial and certain lifelong exile, the colony rebels and is thus to be turned into an example.
The narrative hinges on Ender Wiggin and those around him, with a wealth of emotional, scientific and philosophical conflict between unique characters against a background of questions more normally expected in moral philosophy.
Lusitania is under threat of being annihilated by a fleet sent by Starways Congress, because the planet's scientists have broken the law of not interfering with alien species by helping the sentient Pequeninos to gain a foothold in agriculture. Rather than sending the scientists to trial and certain lifelong exile, the colony rebels and is thus to be turned into an example.
The narrative hinges on Ender Wiggin and those around him, with a wealth of emotional, scientific and philosophical conflict between unique characters against a background of questions more normally expected in moral philosophy.
20 of 22 people found the following review helpful
Format:Paperback
First two books in Ender series are wonderful reads with a gripping storyline and excellent writing. Well, the third book has the same excellent writing but lacks the storyline.
No wonder Mr.Card is a great writer; whatever he writes he writes it good. Unfortunately Xenocide serves the purpose of bringing up a number of muddled ideas rather than telling a story. As a matter of fact there are so many ideas (overcoming an intelligent virus, how to save Jane, the Godspoken, Novinha's frustration against Ender, Ender's "split" personality, piggies' rights, virus rights, Bugger's way of thinking, Inside and Outside, faster-than-light-travel and some more minor things) that all comes to frustrating complexity and since the author does not have enough "time" (number of pages) to devote to each idea, almost everything except a few becomes muddled.
At the end, since the author creates more problems than necessary for a book - that can be handled in a single book - in order to neatly tie all that mess up, he has to resort to deus ex machina by means of hard sci-fi. Well Mr. Card is a great writer of characters, but he's not that great in hard sc-fi; thus his attempt makes you feel kinda cheated.
Overall this is an inescapable book. If you've started Ender Saga you'll have to read this. Thanks to Card's writing, it is still a fun read but especially with its ending it is unsatisfactory.
2 of 2 people found the following review helpful
Format:Paperback
Let us first make clear that this is the third installment in a series, and that it should not be read before its two precursors Ender's Game and Speaker for the Dead. If you haven't read Ender's Game, go buy it - you are in for a treat, as that book has earned its place as one of SF's true classics. No, I mean it: off you go.
The rest of us are already old Ender hands. We know that we find old Ender on the planet Lusitania with its little "piggies" aliens, and a just implanted Hive Queen. Ender's endless caring has brought together a seriously dysfunctional family, and has helped establish a fragile truce between humans and piggies. So. What's on offer here?
The title gives it away. It most certainly is all about xenocide. We get no less than five (or six depending on your theological outlook) warring species with varying capability to exterminate the others. The moral permutations are endless, and endlessly explored. Orson Scott Card is an accomplished writer, but he has set himself a task that is barely manageable. That he even pulls off some of it is impressive, but then the caleidoscopic morals has been at the core of his writing from the outset. The first 300 pages or so are intriguing, and most enjoyable. Orson Scott Card has a sure and precise voice, and a rich source of novel ideas. We get introduced to the planet Path where an intriguing chinese-derived culture is brought to life with a few deft brush strokes. The philosophical dialogue that kicks off each chapter is also a fresh device that helps carry the multiplying moral options. Stylistically, many of his SF contemporaries seem little more than hacks in comparison.
Eventually the sheer weight of possibilities, actors and thematic and narrative strands form a gravity well that robs the book of all speed, however, and this is where, for the first time in the Ender saga, the author seems to weary of his chores. Depth suffers, as individual strands are either cut or made simplistic to speed things up again. What I personally object to the most, however, is that Orson Scott Card so blatantly decides, and late in the game too, to set up the scene for the next Ender book, rather than to focus on salvaging what he is doing in this one.
I will not give away much when I reveal that Ender's brother Peter - the original Hegemon, and a nasty piece of work all around - who has been dead for 3000 years is (literally) conjured out of thin air. This new Peter has no role in this book, and is basically just rigged so that he follows Ender around whispering evil things in his ear, reminding us how horrible he is. This Prince of Darkness bluntly states that he plans to take over the galaxy... later. I think it a terrible affront to readers of what is after all a novel, and something that I did not expect an author of this calibre to try to pull. I read The Speaker for the Dead because I found Ender's Game so engaging; not because I was led there (tongue a-lolling) by the hand by some teleported character from this future novel. This, the hurried handling of many parts of the by then very convoluted plot, and what very nearly is a Deux ex Machina solution to many of the looming problems, make the final 100 pages a struggle to get through, and permanently ends my interest in Ender's doings. That Xenocide still gets three stars is testament to Orson Scott Card's stylistic and lingual powers - and in some part homage to previous works.
The rest of us are already old Ender hands. We know that we find old Ender on the planet Lusitania with its little "piggies" aliens, and a just implanted Hive Queen. Ender's endless caring has brought together a seriously dysfunctional family, and has helped establish a fragile truce between humans and piggies. So. What's on offer here?
The title gives it away. It most certainly is all about xenocide. We get no less than five (or six depending on your theological outlook) warring species with varying capability to exterminate the others. The moral permutations are endless, and endlessly explored. Orson Scott Card is an accomplished writer, but he has set himself a task that is barely manageable. That he even pulls off some of it is impressive, but then the caleidoscopic morals has been at the core of his writing from the outset. The first 300 pages or so are intriguing, and most enjoyable. Orson Scott Card has a sure and precise voice, and a rich source of novel ideas. We get introduced to the planet Path where an intriguing chinese-derived culture is brought to life with a few deft brush strokes. The philosophical dialogue that kicks off each chapter is also a fresh device that helps carry the multiplying moral options. Stylistically, many of his SF contemporaries seem little more than hacks in comparison.
Eventually the sheer weight of possibilities, actors and thematic and narrative strands form a gravity well that robs the book of all speed, however, and this is where, for the first time in the Ender saga, the author seems to weary of his chores. Depth suffers, as individual strands are either cut or made simplistic to speed things up again. What I personally object to the most, however, is that Orson Scott Card so blatantly decides, and late in the game too, to set up the scene for the next Ender book, rather than to focus on salvaging what he is doing in this one.
I will not give away much when I reveal that Ender's brother Peter - the original Hegemon, and a nasty piece of work all around - who has been dead for 3000 years is (literally) conjured out of thin air. This new Peter has no role in this book, and is basically just rigged so that he follows Ender around whispering evil things in his ear, reminding us how horrible he is. This Prince of Darkness bluntly states that he plans to take over the galaxy... later. I think it a terrible affront to readers of what is after all a novel, and something that I did not expect an author of this calibre to try to pull. I read The Speaker for the Dead because I found Ender's Game so engaging; not because I was led there (tongue a-lolling) by the hand by some teleported character from this future novel. This, the hurried handling of many parts of the by then very convoluted plot, and what very nearly is a Deux ex Machina solution to many of the looming problems, make the final 100 pages a struggle to get through, and permanently ends my interest in Ender's doings. That Xenocide still gets three stars is testament to Orson Scott Card's stylistic and lingual powers - and in some part homage to previous works.
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Most Recent Customer Reviews
HOOKED!
Another excellent part of the ender saga. I am only 30% way through but it is getting very intense with twists and turns coming from every angle. Highly recommended.
Published 1 month ago by BAG DESIGNER
Stop at Ender's Game!
I love anything SF and thoroughly enjoyed Ender's game. For me that book was easily in the top 10 of anything I have ever read and maybe in the top 3. Read more
Published 4 months ago by MR MATTHEW FARIS HASHIM
Xenocide
A very well written book by Orson scott Card, this shows the series continuing to tackle more complicated ethical ideas as opposed to the military fiction of Ender's Game. Read more
Published 7 months ago by J. M. Poulain
OK, but still doesn't quite measure up
I think that Scott is over-rated as a scifi writer. WHile there are some imaginative details, I just can't get myself to believe in any of his things while I read them - they lack... Read more
Published 12 months ago by rob crawford
`I wasn't sure if heroes still existed in the human race.'
In this, the third novel in the Ender series, the world of Lusitania is under threat. The planet is in rebellion, and the Starways Congress fears that if the descolada virus... Read more
Published 16 months ago by J. Cameron-Smith
I won't be reading any more of these books
After reading Ender's Game and Speaker for the Dead, I decided to read this third book in the series in order to the up all the loose ends. Read more
Published 18 months ago by J. Flanders
Too much irrelevancy but some interesting ideas
Again some interesting philosophical debates are included. Some interesting ideas that kept me reading on. Read more
Published 19 months ago by Yvonne N
Get book but....
Nice read and really sophistic of Card.
The hole analysis of human relations and the invention/introduction of the world of Path make it worth the time. Read more
The hole analysis of human relations and the invention/introduction of the world of Path make it worth the time. Read more
Published 22 months ago by souledge
Unbelievably lengthy, colourless and boring
I approached Xenocide with high hopes, and I'd better explain why.
I've learned a lot from Orson Scott Card's (OSC) excellent how-to book Characters And Viewpoint. Read more
I've learned a lot from Orson Scott Card's (OSC) excellent how-to book Characters And Viewpoint. Read more
Published on 28 Feb 2010 by Joachim Smith
A very poor third book
This is a very poor story. The idea of Sci-Fi is to use plausible explanations (even if beyond the current level of science) this book however just makes it up as it goes along. Read more
Published on 22 Feb 2010 by Jayme Morgan
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