I've always liked XTC without being a huge fan, & tbh I've had very little awareness of the group for a good 10 years or so. A while back a friend recommended this as one of his favourite music books, so I thought I'd check it out. Generally I'd agree with the other review here - the book's very well-researched (first hand interviews rather than cuttings job), & pretty well written. The prose is a bit flat at times, but at least Chris Twomey doesn't indulge in the kind of look-at-me verbal showing-off of some other music writers. It's an interesting insight into how a group can keep working over 20 odd years without having mega hits, moving to LA & so on, & the differing characters of the 3 guys in XTC. Andy Partridge certainly comes across as an enigma - passionate about the quality of the music & his song-writing (sometimes to the point of losing focus & getting obsessed with getting every note perfect), but also capable (imho) of some very selfish & impulsive behaviour.
Which brings us to the "elephant in the room" aspect of the book (& why I'm giving it 3* rather than 4) ... before reading this I knew the rough outline of the story: how the whole nature of the XTC enterprise was altered by Andy Partridge developing stage-fright & thereafter trying to work a la Brian Wilson, based either at home or in the studio. I hadn't realised until now just how many gigs & tours the group did in the first few years - USA, Europe, S America, Australia... So when Chapter 8 ends with Andy Partridge stressing about a forthcoming European tour, I thought we were getting to the meat of the book. Turn the page & Chapter 9 begins "In the period immediately following Andy's breakdown..." and that's pretty much it as far as explanation goes. I went back to see if I'd turned over 2 pages at once & missed a crucial passage, but no. It was clearly a very serious episode, which left the singer unable to even leave his house at times, such was his fear of being seen by other people. I can understand that maybe the author doesn't want to dwell on a depressing subject, & maybe Andy Partridge didn't want to discuss it, but I feel that such a pivotal moment in the group's life does need to be looked at in more depth.
But don't let this put you off - it's a good read, with some fascinating detail of the music scene from punk, thru the 80's, to the present. It got me digging out the Dukes of Stratosphear albums, & finding that they still sound great, & there's quite a few other mid/late-period XTC albums I'll be checking out now.