Amazon.co.uk Review
Coldplay were faced with a difficult choice as they set to work on
X&Y. They could either follow Radiohead’s lead and use their enormous success and financial security as a springboard to a brave experimental future--or they could play it safe, repeat the tricks used on the 16 million-selling
A Rush Of Blood To The Head, and consolidate their position as one of the biggest bands in the world.

In truth, despite the
Tetris-inspired artwork and presence of teaser track "Talk"--which steals its melody line from electro-futurists Kraftwerk’s gorgeous "Computer Love"--
X&Y is more the latter than the former. Fans will be delighted by "What If?", a piano elegy that takes flight on strings, and slowly builds towards a Beatles' "A Day In The Life"-style climax, while the likes of "Fix You" and hidden track "'Til Kingdom Come"--originally written for country hero Johnny Cash--proves Martin’s skill for simple, affecting songwriting remains intact. One development, however, comes through the judicious inclusion of some rather pleasant synthesiser work--see "White Shadows", where Martin gently beseeches "Come on love, stay with me" over a gentle Eno-esque keyboard wash. Fair enough: the experimental albums can come later. --
Louis Pattison
Review
You've heard the single, read the reviews and listened to the interviews; everything suggests Coldplay's new album is going to be great. But it's not until you hear the first few bars of the opening track that you know that the band are going to achieve everything they hoped and dreamed of.
This album is superb. It'll silence their critics, amaze their fans and win them a whole new legion of admirers. It might even bring about world peace! I'm sure that was one of Chris Martin's objectives for this album...
"Square One" opens the record in typically anthemic fashion: 'Is there anywhere you want to go? The future's for discovering'. Martin has the knack of writing lyrics that affect individuals on a massive scale. Thousands have fallen for his simple songs about hope, loss, love and happiness. X&Y is full of touching eulogiessuch as "A Message" and "Swallowed In The Sea" which express complete and honest love for a partner.
Much has been made of Coldplay challenging U2's title of biggest band in the world. Martin may spend a great deal of time emulating Bono by talking to politicians and canvassing support for his causes but, unlike Bono, these issues haven't crept into his songwriting. There are no protest songs here.
On this record Martin proves once again that he's an excellent singer while Buckland has become, according to Chris, a 'guitar hero'. Add bass player Guy Berryman and drummer Will Champion and you have four great musicians. Their powers peak on "Talk", a fantastic song that is, on an album of big songs, positively gargantuan. More evidence that Coldplay are far and away the best at what they do. Imitators such as Thirteen Senses, Keane and Longview can't touch them.
Other album highlights include "Low", perhaps the most frantic song they've recorded, which features some awesome guitar licks. And the secret final track, "'Til Kingdom Come", where the threadbare acoustic guitar contrasts wonderfully with the big album sound.
Martin has repeatedly spoken of howhe loves every minute of being in Coldplay. His passion is genuine; he's living his dream, making music he loves and playing live to thousands of adoring fans every night. And Martin is doing all this with his three best mates. Coldplay are a closely knit group of musicians, a band of men with one aim -to make the best music in the world. On the epic X&Y they're on the brink of achieving that goal. --Dan Tallis
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