Most Helpful Customer Reviews
|
|
5 of 6 people found the following review helpful:
5.0 out of 5 stars
Complex, disturbing and haunted, 15 Oct 2006
Yes, this is a love story - but it's also so much more. Told through mutiple narrators, who all impose their own biases and viewpoints on the story that they're telling, this novel foregrounds issues of cruelty, love, passion, desire and death. That it was written by the reclusive, socially inept, and most probably virginal Emily Bronte underlines the problematic nature of the text. On one level it is the ultimate female fantasy, as Heathcliffe is Emily's ultimate hero (incestuously based on her brother?) yet on the other, it overturns so many of the conventions of the romantic genre in a transgressive way. The one thing that most readers agree on is the stormy, tumultuous nature of the story and the sense of peace we reach at the end. The only novel that Emily wrote (but read her poetry to savour her genius) this is still an experience that shouldn't be missed.
|
|
|
3 of 4 people found the following review helpful:
4.0 out of 5 stars
A Twisted Tale of Obsession, Love, Class, Hate and Fate, 26 Oct 2006
Wuthering Heights is a surprisingly modern novel given that its authorship predates our modern understanding of psychology. Like many modern novels, Ms. Bronte has also explored the darker side of human passions and psyches more thoroughly than the sunnier side. Heathcliff will remind you of classic characters whose lives were twisted by fate like Captain Ahab in Moby Dick, Erik in Phantom of the Opera, Quasimodo in The Hunchback of Notre-Dame, and the mysterious prisoner in The Man in the Iron Mask.
If there were ever two star-crossed lovers who have captured the world's imagination since Romeo and Juliet, they must be Catherine and Heathcliff. Yet, unlike, many such pairs, their unhappiness is heavily influenced by themselves.
As you contemplate their story, you are constantly drawn to the thought, "what if" thus and such had occurred differently? That's part of the great power of the story because it has so many unexpected twistings and turnings. A reader's expectations from a love story are turned upside down, sideways and diagonal from where those expectations normally rest. As a result, you'll probably decide this isn't a love story after all . . . but a tragedy. Taken from that perspective, you'll find yourself hearing echoes of Lady Macbeth and King Lear as you contemplate what occurs when the natural order is disturbed. Few English authors since Shakespeare have captured that sense of what can happen when the universe is disarranged.
What's great about this story? It's pretty simple: Emotional intensity in the writing; deeply memorable characters; doomed lovers; and a haunting glimpse at unshakeable obsession.
What's not so great? The story development itself is pretty awkward. Much of the story is told in flashback which steals power and immediacy from the narration. If ever a story cried out for being told in the first person (by Heathcliff, Catherine, Edgar Linton, Hareton and young Catherine), it's Wuthering Heights. The transitions from one key moment to another are often very abrupt. Sometimes it is 150 pages later before you get the full sense of what Emily Bronte meant to convey in some of those transitions.
What's less than great? The characters aren't nearly as appealing as those you'll usually find in a novel dealing with these issues. In that sense, the novel is more realistic than fictional . . . which helps create some of its immense power. It's probably a worthwhile price to pay.
Whatever you think of Wuthering Heights, you owe it to yourself to read one of the most moving tales that has ever been written. Pick a time when you're feeling reasonably happy to start the book. Otherwise, you may find your mood to be more than a little darkened for a few days.
|
|
|
1 of 1 people found the following review helpful:
4.0 out of 5 stars
A classic, 18 Jun 2009
I read this book as a schoolgirl and hated it; it was part of my school curriculum. Over ten years later, I'm reading it again and I love it! I'm seeing all the characters in a new light, and what horrible, ugly people they are. Emily Bronte does not compromise and go out of her way to create sappy, likeable characters. There's an energy and a freshness and an originality to it that I failed to see when I had to study it for my English exam. To me it was not one of the great gothic novels, which it is, though there are those who would categorise it as one of the great romances, it was just dark and dreary like its moorland setting.
Note that this edition, unlike others, does not contain an introduction, explanatory notes, footnotes, etc. While ordinarily I might consider that something of a bonus, one or more of the characters speak in a rustic English dialect, so a translation might have been nice. However, if you read it aloud, as my old English teacher suggested, (sometimes) it starts to make sense! (That's why I gave it four stars instead of five.)
So if you're not a fan of Jane or Georgette or all the wannabes that happened along afterwards, this novel just might be for you.
|
|
|
Most Recent Customer Reviews
|
by Charlotte Bronte
by Stephenie Meyer
by Emily Bronte
by Stephenie Meyer
by Stephenie Meyer
With an Amazon.co.uk Gift Certificate, you can get them what they want (even if you don't know what that is). 
Amazon Home