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By 2001, Ghostface Killah had unquestionably stepped up to become the Wu Tang empire's most valuable commodity. He is simply untouchable on every line of every track. On 'Rules' Ghostface gets in his two cents on the 9/11 attacks, "Who the f**k knocked our buildings down? / who the man behind the World Trade massacres, step up now / where the four planes at huh is you insane b****? / fly that s**t over my hood and get blown to bits." Later he sensibly suggests, "Mr. Bush sit down, I'm in charge of the war." In fact 'Rules' is one of the highlights on the album, featuring a rejuvenated Method Man chanting the, "How the f**k did we get so cool?" chorus line. Another highlight, 'Pinky Ring', really shouldn't be a decent record but somehow is. Taking the sample from 'Sesame Street' it somehow manages to remain credible. 'Pinky Ring' follows 'Gravel Pit's' lead by being a Wu track aimed squarely at chart domination. It didn't set the UK singles chart alight, but it remains a hip hop club favourite two years after it's release. Other stand out tracks include the (Ann Peebles-featuring) haunting 'Babies' and the international bonus track 'The W'.
There are a couple of bland tracks which makes this a four-star LP and not a five-star classic. 'Dashing' remains a little too bland for the rest of the album, and despite Gza's best attempts to rescue the song from mediocrity with an excellent final verse, it remains the dullest track on the album. Elsewhere, 'Chrome Wheels' is a little too orthodox to be an outstanding track. Apart from that I find the lyrics of 'In The Hood' a little cliched.
Another (albeit one which is forced on the group) problem is the lack of ODB. His wild, unintelligible ramblings have always been a highpoint of Wu albums for me. However, on 'Soul Power' Flava Flav steps into the void left by ODB's absence admirably ("Without me having my finger in the plug / I'm getting shocked anyway"). If nothing else it is good to hear Flav's voice on record again.
Ultimately 'Iron Flag' is a very good album but slightly shy of the usual five-star excellence that Wu Tang Clan albums provide the listener. What is most noticeably missing is a little of the mysticism that made the Wu so original. There are a lot more verses dedicated to girls and money than there have been on previous Wu Tang Clan LPs, which is a shame, and there is a lot less of the kung-fu nonsense that made the Wu so endearing when they exploded on the scene around a decade ago. Despite this though it is a very good album; hip hop fans would be wise to pick up a copy of 'Iron Flag' and for Wu Tang Clan fans it should be seen as an essential purchase.
Track 1. Read more
What strikes me is the sheer diversity of Rza's beats - Uzi is but one testament to that. Read more
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