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This book brings together his diaries for 1980-1995, with reminiscences and reviews, the diary he kept during the production of his very first play, Forty Years On, which starred John Gielgud, together with hilarious accounts of his many television plays, notably An Englishman Abroad and A Private Function.
At the heart of the book is The Lady in the Van, the true account of Miss Mary Shepherd, a homeless tramp who took up residence in Bennett's garden and stayed for fifteen years. From his now-legendary address at Russell Harty's memorial service to recollections of growing up in Leeds, Writing Home gives us a unique and unforgettable portrait of one of England's leading playwrights.
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Yet there are plenty of layers for even the most casual reader - this could easily be what I would call 'a bog book', although some parts would require quite severe constipation for successful completion in one go. There are snippets, remembrances, essays, criticism... This is basically a collection of all the best bits of Bennett's non-fiction writing.
There is barely a hair's breadth between much of this writing and that of something like 'Talking Heads', which carries the same level of affectionate honesty. Bennett seems to be such a dispassionate person, as if observing the world through glass, yet when one chooses to see the world from his happy-sad perspective, one is often moved to tears. I'm not sure I can explain it: sometimes it's like Mr Spock from Star Trek, mystified at humans in general, and human emotion in particular.
Bennett is not a religious man (although he had a religious upbringing), yet this book instills in me a sense of wonder at the ordinary things in life, and a hope that I, too, might see below the surface, even as I am staring at it, seeing nothing else.
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