World Music (Africa, Europe and the Middle East): The Rough Guide Volume 1: Europe, Africa and the Middle East v. 1 [Paperback]

Once you start flipping through World Music, there's no stopping. Unlike other genres, world music spans so huge a territory that there are surprises and new pleasures for everyone. The table of contents sets the tone. Laid out as a map of the world, the chapters are located directly on the map. This is followed, however, by a traditional table of contents, laid out in linear one to 13 format for those who don't go for the visual approach. However you choose your dive-in point, you won't be disappointed. A tremendous amount of work has gone into this guide, covering a remarkable number of sub-genres and groups. Search for a group you've heard of, read up on a specific genre like klezmer or flamenco, get CD recommendations or troll for new finds like Altan, the Irish band of the 1990s, and Ibrahim Tatlises, the premier Kurdish performer. There's a wealth of sounds out there that Rough Guide makes accessible and with this exclusive book and CD package, you won't have to shift far from your front room to find them. --Stephanie Gold --This text refers to an out of print or unavailable edition of this title.

"A great reference book . . . reading it feels like a treasure hunt for good grooves"

STRAIGHT NO CHASER

The world music scene has grown so massively in the last five years, that The Rough Guide to World Music has had to split into two volumes to maintain its role as the most authoritative guide. Within the two volumes the book is now arranged alphabetically by country. Each fully updated article includes an overview of the country's music, presenting the story behind every genre, band and artist, with its accompanying discographies, and offering illuminating insights into the countries today.

Various Authors --This text refers to an alternate Paperback edition.

Introduction

It's fitting that this new edition of the Rough Guide to World Music coincides with the start of a new millennium, for it deals with the oldest and newest music in the world - from centuries-old traditions to contemporary fusions. It includes the most sacred and profound music and the most frivolous and risque, music of healing, music of protest, the loudest music you'll ever hear, the softest and most intimate, and maybe also the most moving and enjoyable.

The Guide sets itself a clearly impossible task: to document and explain the popular, folk and (excluding the Western canon) classical music traditions around the globe. However, since the first edition appeared in 1994 it has been the chief handbook for enthusiasts and become a resource for those working in and around the World Music business itself. In producing a new edition we were aware of omissions and shortcomings in the first edition and we have added many new pieces on countries that weren't covered before - France, Germany, Italy, Iran, Israel, Angola, Mozambique, Burundi and Uganda, to name a handful in this volume. Other articles were expanded, revised and rewritten; Scandinavia, for example, turned from one piece into five, as did the former Yugoslavia.

In addition, the new edition reflects the huge expansion of the whole World Music market over the past five years. There are more concerts and festivals than ever before - and many would say that there is actually a surfeit of CDs. In preparing this edition, we surveyed the lot, completely overhauling our discographies, adding biographical entries for artists, and reviewing and highlighting the best discs available.

That's the main reason why this new edition of the Rough Guide is not one book, but two: this volume covers Africa, Europe and the Middle East, while Volume Two has the Americas, Asia and the Pacific. Even with two books, each volume has turned out longer than the entire first edition.

The articles - from more than eighty contributors - are designed to provide the background to each country's music styles, explaining how they relate to history, social customs, politics and identity, as well as highlighting the lives and sounds of the singers and musicians. We hope you'll find this enriches the whole experience of listening to World Music.

How this book works

This volume is divided into three geographical sections: Europe, the Middle East and Africa. Within each section the entries are arranged alphabetically by country or by ethnic group (for instance the entries on Gypsy, Jewish Sephardic, Kurdish and Pygmy music). There are running heads and an index to help you find your way.

Our discographies follow the arrangment of each article and when it makes things clearer by style (for example, Nigeria has sections for Traditional, Juju, Fuji, Highlife, and Afro-beat). Compilations are listed first and artists follow (listed A-Z), with a brief biography and reviews of their key discs.

Each section has one or two 'star discs' which are indicated by a larger than usual CD symbol ( p). These are the ones to buy first. All other selections are preceded by a CD (p), cassette (A) or vinyl (V) symbol: those specified as cassette or vinyl are not available on CD but worth checking out all the same. To avoid any conflict of interest, as some of our contributors are professionally involved with bands or record labels, the selections are the responsibility of the editors. In the directories at the end of the book we've included addresses and websites of the most important record labels releasing the music featured in this volume, as well as the best specialist shops to track down CDs.