There can be few readers of popular history who don't really deep down wish this book well. Amanda Foreman comes to her new work with peerless credentials: her great book on the Duchess of Devonshire has become a recent popular historical classic, reaching an audience who are in many cases indifferent to or new to academic historical study.
The theme of her new book could not be grander: she wants to try and do no less than two outline the complex web of relationships between Britain, at the height of its imperial power, and the warring states of the Union and Confederacy during the American Civil War. This is a historical topic with direct contemporary relevance as we look at the fabric of the special relationship being woven in the 20th century, and cut into innovative and frightening new patterns the 21st! One wonders how many diplomats and politicians will receive a copy of this book for Christmas 2010...
You might have read, like me, the mainstream reviews of this book which are generally positive. However, the very well-informed and serious reviews listed elsewhere on this page do raise fundamental questions about the ambitious nature of this book. It is a monster, coming in at over 800 pages. It is finally produced, well bound, well illustrated and has a pleasing number of maps. It has to be said that Foreman has given herself quite a task by narrating not only the diplomatic involvements, but also giving a broad outline of the war as a whole. If you like me, have recently read John Keegan's book on the American Civil War, you might find a lot here that you already read. You will also probably find considerably more objective and accurate treatments of the war in a single volume from modest price.
But be under no illusions that the story she tells is an absolutely compelling one. Britain found itself culturally, morally and emotionally torn between feelings of kinship with the South, economic ties to the cotton industry, and common cause with the North and a general revulsion at the institution of slavery. Those readers who already watched the Ken Burns documentary from the 1990s will already be aware of some of the British voices (their narrated by Derek Jacobi and Jeremy Irons!) who dominate this fantastic narrative.
To summarise: this is grand historical writing, but the question marks over its editing and academic accuracy have to be answered. I was sneaking feeling this will become the historical equivalent of Ted Hughes' book on Shakespeare: reviled and misunderstood initially, but now regarded as something of a classic. I hope so.