- Paperback: 304 pages
- Publisher: Ballantine Books; Reprint edition (Aug 2002)
- Language English
- ISBN-10: 0345440765
- ISBN-13: 978-0345440761
- Product Dimensions: 14.1 x 1.7 x 21 cm
- Average Customer Review: 3.8 out of 5 stars See all reviews (4 customer reviews)
- Amazon Bestsellers Rank: 4,274,062 in Books (See Top 100 in Books)
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Product Description
Amazon.co.uk Review
In Sue Miller's graceful novel, The World Below, Cath Hubbard, a San Francisco woman in her fifties, returns to her grandmother's small Vermont house after the death of an aunt who left the property to Cath and her brother Laurence. Cath had lived with her grandparents for a few years in her teens, after her mother's suicide, and now makes her wounded way back, in the wake of a divorce, to sort through her memories of her beloved grandmother, Georgia. This is the standard fare of American literary fiction: a life-change prompting a search into the past. What is far less ordinary is Miller's placid, nuanced depiction of her protagonist's emotional journey.
None of Cath's feelings can be easily predicted by the reader, but all of them ring true. She finds her grandmother's diary and begins to fill in the stories that Georgia had hinted at over the years. What Cath discovers in her grandmother's journal is a secret that has lost its power to shock; and that very wearing-away of taboo adds to the poignancy of Georgia's restricted life. Her story unfolds against a backdrop of Cath's more immediate griefs and concerns, and begins to recede as Cath's San Francisco life returns to claim her. Miller's prose appears effortless, but is like the gestures of a magician, that conceal how the trick is accomplished. The result is a sage, continually surprising novel about finding peace-of-mind in a combination of habit, love and self-determination. --Regina Marler, Amazon.com --This text refers to an out of print or unavailable edition of this title.
Image, February 2002
"'The World Below' is a tender, uplifting novel of extraordinary gentleness."
--This text refers to an out of print or unavailable edition of this title.
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First Sentence
Imagine it: a dry, cool day, the high-piled cumulus clouds moving slowly from northwest to southeast in the sky, their shadows following them across the hay fields yet to be cut for the last time this year. Read the first page
Front Cover | Copyright | Excerpt | Back Cover
Imagine it: a dry, cool day, the high-piled cumulus clouds moving slowly from northwest to southeast in the sky, their shadows following them across the hay fields yet to be cut for the last time this year. Read the first page
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Customer Reviews
Most Helpful Customer Reviews
4 of 4 people found the following review helpful
Format:Paperback
From the synopsis of the book though, the reader may expect the whole book to dedicated to Georgia's story.
One must expect to read a story of Cath's thoughts: who she has been, her divorces, her children, her search for her own future -where does she feel to belong in the future; as well as her search for the essence of her grandmother, her and John's couple, what was behind the façade...
A word one of the reviews on the back cover uses: domestic. Yes, Sue Miller captures perfectly those 'domestic' emotions through clear sentences that flow like water.
She makes us go deep in Georgia's story, feelings and resentments that lay at the heart of her couple with John; then the reader resurfaces to the present.
One truly visualizes a life we could never imagine -the sanatorium, the perception of an independent woman in those days-.
I found it a profound book in that many sentences made me reflect on what it meant -or means indeed- to be a couple, how one copes with secrets, misunderstandings, deceit
Ultimately, it is all about loving.
One must expect to read a story of Cath's thoughts: who she has been, her divorces, her children, her search for her own future -where does she feel to belong in the future; as well as her search for the essence of her grandmother, her and John's couple, what was behind the façade...
A word one of the reviews on the back cover uses: domestic. Yes, Sue Miller captures perfectly those 'domestic' emotions through clear sentences that flow like water.
She makes us go deep in Georgia's story, feelings and resentments that lay at the heart of her couple with John; then the reader resurfaces to the present.
One truly visualizes a life we could never imagine -the sanatorium, the perception of an independent woman in those days-.
I found it a profound book in that many sentences made me reflect on what it meant -or means indeed- to be a couple, how one copes with secrets, misunderstandings, deceit
Ultimately, it is all about loving.
4 of 5 people found the following review helpful
Format:Paperback
A thought provoking novel full of insights into the connections between generations. Miller's powerful prose made me reflect and examine my own childhood and the way that actions and conversations have a new light cast on them as we get older.Milller conveys observations of family love in a subtle way.
3 of 5 people found the following review helpful
Format:Paperback
The small, personal, domestic dramas in the lives of women, which Miller portrays in this soul-baring, confessional narrative, will make this book appealing for many readers--chiefly women, I suspect--who will see themselves or events from their own lives in the emotional challenges faced by Catherine Hubbard and her grandmother, Georgia Rice. But those who are hoping for a book which rises above the here and now and into the realm of universal themes and truths may be less enchanted.
Catherine is a twice divorced mother of three from California who inherits and moves temporarily into the Vermont cottage in which she lived with her grandparents during her teen years. Long interested in her grandparents' seemingly successful marriage, which contrasts sharply with her own marriages, Catherine embarks on some serious soul-searching as she tries to decide whether to stay permanently in Vermont and begin a new life. While she is there, she discovers her grandmother's diaries and learns that her grandmother, too, faced personal crises and challenges.
The let-it-all-hang-out confessions of the minutiae of Catherine's and Georgia's emotional lives seem, somehow, intrusive to me, too personal--not because they are so revelatory or shocking but because they are so mundane, so self-conscious. The reader is hard pressed to find many universal truths which can illuminate aspects of our own lives in these revelations, and I ended up learning more about the daily emotional lives of these women than I really wanted to know. Additionally, Georgia's diaries did not ring true to me. Dignity, restraint, and, most of all, privacy, are so integral to the character of lifelong residents of Down East Maine and Vermont, especially elderly ones, that while I could accept Georgia's behavior as real, I couldn't imagine anyone of her era putting it all in writing, and her supposed intention of having Catherine read the account some day seems too pat. In her treatment of "the world below," I wish Miller had cast a brighter light into the emotional murk to reveal more of the universal truth we all seek.
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