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which is interesting esoteric novel and i like it.
For those of us too young to remember 1969, this is a rather remarkable time capsule of values and social relationships. Most striking is the sense that the film seems to have been made by young people with really no idea of how older people live their lives. That wouldn't be a great problem, except that the film itself takes the generation gap as its central feature: how an older man living a boring, empty, unfulfilling life glimpses (but cannot participate in) the colorful, uninhibited, sensual lives of younger people.
On the other hand, while the film is clearly enamored with the hip glamor of youth and beauty, it also suggests that young people bridge the gender gap principally to have sex with each other. Otherwise, they don't have much to say. Strange! I remember getting that same sense from The Graduate (not to compare the two).
Anyway, I think the dvd is recommendable. Good picture, good music (of course), very good extras, and an interesting snapshot of a time and place.
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I purchased Wonderwall and Rear Window on the same day. When I got them I realized they were both movies about looking, about interiority and desire. Rear Window is, of course, one of the greatest work of cinema art. On the other hand, Wonderwall (thankfully made available by Rhino video) is in an altogether different category. How to categorise it? Pulp, low art, pop, guilty-pleasure, who can say? For me it was a moving and beautiful film in its own way, a slice of the 60s zeitgiest, (so different form the mini-series versions of recent years) a chance to feel the real possibilties floating in the culture before nihilism, fundamentalism and greed became fashionable. George Harrison's music is terrific. There's even a poem by John Lennon on the DVD extras. The colors and art in the film are also period: they hearken to the psychedelic work of Peter Max, the posters for groups like Jefferson Airplane and the Grateful Dead. But, most of all, one can glimpse the 60s version of the beautiful in the form of Jane Birken, who plays a fashion model. Each age has its concept of beauty, as the film points out by movie posters of earlier screen sirens on the apartment walls, and Jane Birken really captured the original free spirit waif long before Kate Moss revived it. Birken really shares her perky charms in this movie, her cat like playfulness. True, she may not be a feminist ideal, you may not compare Nietzsche to Camus with her, but then would you want Ally McBeal for a lawyer? Movies from this period are hard to find so lets hope Rhino and Criterion continue there good work of porting this time to DVD. Don't miss Jane Birken's other nimble foray onto DVD in May Morning.
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