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Product Description
"A lady? decidedly. Fast? perhaps. Original? undoubtedly. Worth knowing? rather." Daring and dynamic, the 'new woman' came to represent the very spirit of the age. The stories in this anthology take up this phenomenon and examine society throughthe eyes of the new woman, as she encountered new choices in marriage, motherhood, work and love.
Women Who Did charts a rebellion that was social, sexual and literary. It tells the stories of competing voices - of the men and women who entered into the fray of the fin de siècle, and were not afraid to confront, challenge or delight in the irrepressible New, in an irrepressibly new form, the short story.
About the Author
Angelique Richardson is Lecturer in English at the University of Exeter. She has published widely on nineteenth-century fiction and is the author of Love, Eugenics and the New Woman: Science, Fiction, Feminism (OUP, 2003). She is also co-editor of The New Woman in Fiction and in Fact: Fin-de-Siècle Feminisms (Palgrave, 2001). She writes regularly for the TLS, has written a number of entries for the New Dictionary of National Biography , and reviews for the leading international journals in nineteenth-century studies, including Victorian Studies and the Journal of Victorian Culture.
Angelique Richardson is Lecturer in English at the University of Exeter. She has published widely on nineteenth-century fiction and is the author of Love, Eugenics and the New Woman: Science, Fiction, Feminism (Oxford University Press, 2003). She is also co-editor of The New Woman in Fiction and in Fact: Fin-de-Siècle Feminisms (Palgrave, 2001).
One afternoon I was sitting outside the Café de la Paix,1 watching the splendour and shabbiness of Parisian life, and wondering over my vermouth at the strange panorama of pride and poverty that was passing before me, when I heard some one call my name. Read the first page Browse Sample Pages
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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Customer Reviews
The main difference between the anthologies is in the contextual introduction by Angelique Richardson. Where Showalter gave a short pithy introduction to the literary aspects of women's writings, Richardson presents a long systematic summary of the issues and debates affecting the "New Woman" question.
Showalter's remains the more illuminating piece in terms of Feminist criticism; although undergrads new to the study of Women's writing will find Richardson's essay fills in the turbulent, chauvinistic social and political background that these writers had to struggle against.
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