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"Lasch's critical apparatus is stunning -- the fluency and generosity of his scholarship and the muscularity, plasticity, and originality of his thinking; his passionate belief in purposeful, ego-suspending activity as the vocation of every responsible citizen of the collective.... Another wide-ranging, erudite challenge to conventional academic wisdom by a masterly cultural historian". -- Kirkus Reviews
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Feminism and the controversy about feminism are "eternal," we are told; they rise and fall in cycles "with the rise and fall of civilization and with fluctuations in public morality," wearing "masks so varied that it is necessary to look closely in order to recognize beneath them the same face." Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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Customer Reviews
Despite all the talk about the dynamic nature of the patriarchy and renaissance drama, the main gripe of WOMEN is that feminism sold its soul for a mess of pottage. Primarily through comparison of Friedan's FEMININE MYSTIQUE and Goodman's GROWING UP ABSURD, Lasch reveals that feminism was uniquely poised to furnish a broad assault on the predatory capitalism, cheap consumerism and therapeutic stupor that has descended over the American scene. Instead, feminists all too frequently seek only to alter the rules so women too can gain entry into the careerist trap.
One senses that Lasch may have invested intellectually in feminism, hoping it would be the crucible for a revivified Jeffersonian agrarianism, but was subsequently let down. Perhaps because of this, feminism suffers the same excoriation as most other stripes of liberalism throughout Lasch's work. In any event, he has feminists dead to rights when he points out that a truly feminist, truly radical critique of American civilization would have sought to undermine, for the good of women, men and children, the gluttonous and heedless consumerism which so characterizes it. Far from missing the critical insights of feminism, Lasch eloquently argues that it is the feminists, particularly Friedan, who have forgotten their own insights, content to sacrifice their integrity on the altar of materialist fixation. In this tome, Lasch's reputation for erudition remains secure, and even tumesces in the ingenuity of its application through critical intelligence, and, notably, in a subtlety of argument not always present in previous work.
This book is crucial reading to those who find themselves inexorably compelled by feminist ideals, but who find it impossible to discover those ideals inhabiting any portion of the contemporary feminist landscape.
Despite all the talk about the dynamic nature of the patriarchy and renaissance drama, the main gripe of WOMEN is that feminism sold its soul for a mess of pottage. Primarily through comparison of Friedan's FEMININE MYSTIQUE and Goodman's GROWING UP ABSURD, Lasch reveals that feminism was uniquely poised to furnish a broad assault on the predatory capitalism, cheap consumerism and therapeutic stupor that has descended over the American scene. Instead, feminists all too frequently seek only to alter the rules so women too can gain entry into the careerist trap.
One senses that Lasch may have invested intellectually in feminism, hoping it would be the crucible for a revivified Jeffersonian agrarianism, but was subsequently let down. Perhaps because of this, feminism suffers the same excoriation as most other stripes of liberalism throughout Lasch's work. In any event, he has feminists dead to rights when he points out that a truly feminist, truly radical critique of American civilization would have sought to undermine, for the good of women, men and children, the gluttonous and heedless consumerism which so characterizes it. Far from missing the critical insights of feminism, Lasch eloquently argues that it is the feminists, particularly Friedan, who have forgotten their own insights, content to sacrifice their integrity on the altar of materialist fixation. In this tome, Lasch's reputation for erudition remains secure, and even tumesces in the ingenuity of its application through critical intelligence, and, notably, in a subtlety of argument not always present in previous work.
This book is crucial reading to those who find themselves inexorably compelled by feminist ideals, but who find it impossible to discover those ideals inhabiting any portion of the contemporary feminist landscape.
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