- Paperback: 752 pages
- Publisher: Oxford Paperbacks; New edition edition (2 April 1998)
- Language English
- ISBN-10: 0192834290
- ISBN-13: 978-0192834294
- Product Dimensions: 19.2 x 12.8 x 3.8 cm
- Average Customer Review: 4.6 out of 5 stars See all reviews (77 customer reviews)
- Amazon Bestsellers Rank: 394,344 in Books (See Top 100 in Books)
The Woman in White [with Biographical Introduction]
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Product Description
Review
see Fielding's Tom Jones or Wharton's Ethan Frome
Big Issue
`A tense, dark and action-packed thriller...undeniably essential reading'
--This text refers to an alternate Paperback edition.
--This text refers to an alternate Paperback edition.
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First Sentence
THIS is the story of what a Woman's patience can denture, and what a Man's resolution can achieve. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt
THIS is the story of what a Woman's patience can denture, and what a Man's resolution can achieve. Read the first page
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Customer Reviews
Most Helpful Customer Reviews
33 of 34 people found the following review helpful
Format:Paperback
Wonderfully entertaining stuff - this is essentially a pre-television soap opera, much like the novels of Dickens or George Eliot.
The essentials of the story are as follows: our hero is a young painter hired as tutor to a young heiress. The lady in question is remarkably pretty, innocent, sweet-tempered (etc etc) and inevitably our hero falls for her hook, line & sinker. Needless to say the path of true love doesn't run smoothly and not only are they separated, but the heiress is subject to the wicked plots of marvellously nefarious villains.
Sounds cheesy as anything, I know; but the story is fast paced, convoluted and frequently (intentionally!) very funny. Because Collins employs a first person narrative technique, telling his tale through one character's diary then another one's letters, we are allowed an insight into the thoughts and speech patterns of a wide range of characters. Some of them are downright hilarious - particularly our heroine's outrageously camp uncle. As so often happens, it is the secondary (and indeed bit-part) characters who are the most entertaining - the fabulous Marianne (just wait till you read that initial description of her appearance! The contrast between standards of beauty now & then is remarkable...although granted it sounds like she needed immac for that top lip of hers) and the indomitable Count with his pet white mice scampering around, to name my two favourites - and undoubtedly your own. What are you waiting for?
32 of 33 people found the following review helpful
Format:Paperback
This advice for writing serial romances, alternately attributed to Wilkie Collins, Charles Dickens, and Charles Reade, is epitomized in this 1860 novel by Collins, a story of thwarted love, a marriage of obligation, claims on inheritance, the victimization of women, and, most of all, engaging mystery. Collins, often credited as the father of the mystery genre, creates a fast-paced story of Victorian England, revealing much about Victorian society and its values--the role of women, the laws governing marriage and inheritance, the social institutions of the day, the contrasting attitudes toward the aristocracy and the lower classes, and even the level of medical care and the treatment of psychological illness.
When drawing master Walter Hartright is on his way to teach Marian Halcombe and Laura Fairlie at Limmeridge House, in Cumberland, England, he meets a "woman in white," a young woman who knows Limmeridge House well because she was mentored by Mrs. Fairlie, Laura Fairlie's deceased mother. The "woman in white" is Anne Catherick, who looks just like Laura, but who is an escapee from a nearby mental asylum. Upon his arrival at Limmeridge House, Walter immediately falls in love with the beautiful Laura, but she has made a deathbed pledge to her father to marry to Sir Percival Glyde, someone Anne Catherick despises and blames for her own incarceration. Throughout the novel, Anne visits various characters to offer help in combating Sir Percival and his cohorts.
The story unfolds through documents held by a variety of characters, each of whom tells the story from his/her own point of view. The reader develops sympathy for the innocent and beautiful Laura, respect for her homely but bright half-sister, Marian Halcombe, sadness for Walter Hartright, and hatred for Sir Percival and his friend, the Italian count Fosco, with whom Sir Percival is in business. Sir Percival and the count need financing, and it is Laura's inheritance that is at stake. A series of consecutive disasters, along with arguments, revelations of abuse, the fear of exposure, and the contemplation of murder by Sir Percival and Count Fosco, draws the reader irrevocably into the action.
The characters are sympathetically drawn, with Collins showing an early awareness of the influence of psychology on behavior. The descriptions of nature, presented realistically and in minute detail, build suspense, as Collins creates parallels between nature and the details of plot. As is usually the case with romances, chance plays a huge role in the unfolding action, creating cliff-hanging suspense which contributes to the excitement--and pure fun--of this seductive novel. The conclusion, involving a subplot unrelated to the primary action, resolves issues conveniently. The almost-forgotten author of twenty-five novels, Collins was one of the most successful authors of Victorian mysteries, and he is gaining new attention as a result of reprints of this novel and The Moonstone. Mary Whipple
When drawing master Walter Hartright is on his way to teach Marian Halcombe and Laura Fairlie at Limmeridge House, in Cumberland, England, he meets a "woman in white," a young woman who knows Limmeridge House well because she was mentored by Mrs. Fairlie, Laura Fairlie's deceased mother. The "woman in white" is Anne Catherick, who looks just like Laura, but who is an escapee from a nearby mental asylum. Upon his arrival at Limmeridge House, Walter immediately falls in love with the beautiful Laura, but she has made a deathbed pledge to her father to marry to Sir Percival Glyde, someone Anne Catherick despises and blames for her own incarceration. Throughout the novel, Anne visits various characters to offer help in combating Sir Percival and his cohorts.
The story unfolds through documents held by a variety of characters, each of whom tells the story from his/her own point of view. The reader develops sympathy for the innocent and beautiful Laura, respect for her homely but bright half-sister, Marian Halcombe, sadness for Walter Hartright, and hatred for Sir Percival and his friend, the Italian count Fosco, with whom Sir Percival is in business. Sir Percival and the count need financing, and it is Laura's inheritance that is at stake. A series of consecutive disasters, along with arguments, revelations of abuse, the fear of exposure, and the contemplation of murder by Sir Percival and Count Fosco, draws the reader irrevocably into the action.
The characters are sympathetically drawn, with Collins showing an early awareness of the influence of psychology on behavior. The descriptions of nature, presented realistically and in minute detail, build suspense, as Collins creates parallels between nature and the details of plot. As is usually the case with romances, chance plays a huge role in the unfolding action, creating cliff-hanging suspense which contributes to the excitement--and pure fun--of this seductive novel. The conclusion, involving a subplot unrelated to the primary action, resolves issues conveniently. The almost-forgotten author of twenty-five novels, Collins was one of the most successful authors of Victorian mysteries, and he is gaining new attention as a result of reprints of this novel and The Moonstone. Mary Whipple
43 of 45 people found the following review helpful
Format:Paperback
I took a few pages to click into the Victorian narrative but once I was into it, it gripped from start to finish. This book has the most wonderfully drawn characters and because it switches narrators several times ( Wilkie Collins does this to great effect also in 'The Moonstone') you are just getting lulled into the perspective of one person, when you are then gently jolted and led along by another.
If you want a book with love, romance, mystery and an undercurrent of the sinister running through it I promise you will not be disappointed. You will then be so hooked by Wilkie Collin's writing style that you will want to devour the rest of his books immediately.
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Most Recent Customer Reviews
One or two highlights, held back in a slow grind.
This is supposed to be a mystery/thriller. For me a mystery or thriller should be a few steps in front of the reader. Read more
Published 2 months ago by Invader_Ace
Wilkie Collins
Recieved in condition described. Perfect for the uni course I am having to read it for and enjoying the book!
Published 2 months ago by purplelou
A Thrilling classic
This novel more or less opens with a young man who encounters a mysterious woman dressed in white on the road to London. Read more
Published 6 months ago by J. Willis
Haunting and memorable.
This is truly a haunting story of doppelgangers, deception, heartbreak and cruelty. And yet there is something very gentle about it as well. Read more
Published 7 months ago by V.R. Christensen
It's unputdownable!
I started reading this book in July 2010 but could only manage 50 or so pages. I picked it up again a year later and found it unputdownable. If you're like me, persevere. Read more
Published 8 months ago by David Atkinson
Not his best
Was a little disappointed with this as it is Wilkie Colin's well known work and I came to it having read several of his other books. However his books are always a good read. Read more
Published 10 months ago by T. A. Brown
The Woman in White
The Women in White is an absolutely brilliantly written detective novel; one of the earliest such novels of its time. Read more
Published 12 months ago by Joan
Wordy but worthwhile!
Read this for my book group. The writer is very wordy but the story is gripping,brilliant descriptions of all the central characters,a story that carries you along and a good, if... Read more
Published 12 months ago by kmcg
Good English mystery novel
This is a pretty good book. It is written very much in the same style as The Moonstone, i.e., the story is told by several different narrators as they are involved in the events of... Read more
Published 13 months ago by Blackbeard
Quite a good read but takes a while to get in to
This book is fairly entertaining and quite gripping once you pass the half-way mark. The plot picks up and everything acquires an air of suspense. Read more
Published 15 months ago by .
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