Like the call of the wolves themselves, this book, and its story, echo with Jiang Rong's long lonely howl filled with sadness. It is at once amazing, and devastating, reading. It is a book that as clearly celebrates with elaborate richness a 10,000 year old grassland ecosystem as page by page it details its inevitable decline. It is a book that envelopes you in its way of life so completely, that you will finish it feeling an almost personal sense of loss...
Wolf Totem is based on the real-life experiences of its author, Jiang Rong, who volunteered to go to Inner Mongolia in 1969 at the heart of the Cultural Revolution. He spent the next 12 years living with, and learning from the nomadic natives of the region. During this time he witnessed the epic struggle between humans and wolves that lies at the heart of a perfectly balanced ecosystem, and preserved some of the world's finest grasslands; he also witnessed the arrival of the Han Chinese, outsiders like himself, and their guns and farming methods that were to destroy it. It is a fascinating picture of a war between nature and human civilisation, between ancient customs and modern culture.
Wolf Totem pays homage to a complex spiritual system of beliefs, of Tengger the God of the grasslands, and the reverence of the cunning and ferocity of the wolves. It speaks of the history of Genghis Khan's mighty Mongol empire, suggesting that this intricate relationship between humans and beasts, was one of mutual respect, mutual advancement, and mutual protection. And it is wolves that lie at the heart of the story, and Jiang Rong's reverence, terror and fascination with them.
This is by no means a story, so much as it is a thesis on a dying way of life. The narrative is slow; the dialogue unrealistic, because the characters are merely mouthpieces for Jiang Rong's argument. You need to be able to accept and get over this fact, if you are to appreciate this novel. What it does so well is to offer a frank and sensitive assessment, never sentimentalising what is a violent and brutal existence.
Having seen what is left of Inner Mongolia's grasslands, and seen the sandstorms in Beijing, I feel the author's lament keenly. Open this book and you are transported back to a time and place where humans respected and cared for the land, where they struggled and suffered as part of an age-old balance in which neither humans nor nature were supreme. Wolf Totem is a dirge; a thesis; a warning; a microcosm of humanity's increasing distance from nature; a love-song for the wolves, herdsmen and nomads; and a novel that will leave you changed.
Anyone interested in China, in different cultures, in the impact of humans on the environment, or in wolves, should find this book unique and unforgettable.