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19 of 20 people found the following review helpful:
2.0 out of 5 stars
Dull but thorough, 8 Mar 2005
This doesn't come to life, so suffers in comparison to the works of Wodehouse himself. It's a diligent and comprehensive but rather dull dissertation, rattling off facts in an efficient chronology, but lacking in passion, or even original insights about its subject. When McCrum does dare to venture an opinion he tends to contradict himself a few pages later (e.g. giving conflicting summaries of PGW's academic success, and emphasising that he was a loner but then describing another situation as satisfying his need for companionship). There are voluminous notes, but there is no superscript marker when reading the chapters, so you don't know when there is additional information, which is intensely irritating and makes the notes somewhat pointless. For a far more enjoyable and informative read, see Barry Phelps' P G Wodehouse Man and Myth (out of print, but surely available from Amazon Marketplace and abebooks etc).
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16 of 19 people found the following review helpful:
4.0 out of 5 stars
Wodehouse's Sources, Inspirations, Habits and Shame, 27 Dec 2004
Should a dedicated fan of P.G. Wodehouse's writing read this book? Yes, I think so. Mr. McCrum's book is filled with information that will make reading Mr. Wodehouse's many comic offerings more rewarding. For instance, where did so many of those wonderful names come from? Many were drawn from people and places that Wodehouse knew as a youth. Why did he have such a jaundiced view of aunts and say so little about mothers? His own family history contained strained relationships with dictatorial aunts and a distant mother who ignored him. Where did the inspiration for Blandings Castle come from? It turns out to be based on actual experiences in an English country home. Simply from those perspectives, I felt that my understanding of Wodehouse plots, humor and references were vastly increased. In addition, I knew that P.G. Wodehouse was very prolific, but I never quite understood how he did it. I was fascinated to see how disciplined he was to keep doing his daily quota of words. As someone who likes to write as well, this was a positive inspiration to keep to that discipline myself. I was also pleased to find out more about how he developed his plots and characters and did his rewriting. If you combine this book with Sunset at Blandings, you can get a quite helpful perspective on the details of his craft. Next, I am always running into veiled and ambiguous references to P.G. Wodehouse having done some broadcasts for German radio during World War II while living in Germany. It was never clear to me what that was all about. Now, this book gives me enough information to have views on the subject. I hadn't realized that Wodehouse had been interned by German forces in prison environments for over a year before the broadcasts. In addition, he was released from internment before agreeing to do the broadcasts which turn out to have been very ill-considered but not a clear-cut case of selling out to the enemy. Naturally, the ultimate question is also about how interesting Wodehouse must have been in person. That's a disappointment. He was a real bore in public who preferred solitude. On the other hand, I was fascinated to see how much of his personality can be found in the various characters in the stories. I was aware of his famous quote about writing about life as though it is musical comedy, but I didn't realize that he actually helped write lyrics for musical comedies among his many successes. Finally, there's a marvelous question of what-might-have-been. Wodehouse was about to go to university with bright prospects when he family pulled the financial plug to favor his older brother. P.G. spent two years working in a bank while writing furiously at every spare moment to establish himself in England, rather than being sent abroad as another bank trainee. You'll find yourself cheering for him! Mr. Wodehouse lived so long that there's also the fascinating part of the tale about how his writing went from being cutting edge comedy to being historical fiction about the Edwardian era. The less you have read of Mr. Wodehouse's work, the more you will probably enjoy this volume. I found that the book's main weakness was that it gave me a great many more details about his personal life than I really wanted to know (such as all of his dogs and his relationships with them) and a little less on his writing than I would have liked to know. But it's a solid effort, nevertheless, and one that will provide much pleasure to Wodehouse fans.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars
Very Worthy...And Far From Dull!, 21 Feb 2010
I disagree with those reviewers who found this book worthy but dull; personally, I found it fascinating. It's a thorough and absorbing account of Wodehouse's life and one of the most enjoyable biographies of any author I've read since Peter Ackroyd's "Dickens". McCrum is clearly a Wodehouse fan with an encyclopedic knowledge of the Master's work but he avoids the mistakes that have bedevilled other biographers of Wodehouse, in that: (a) he doesn't try to write like PGW and (b) he maintains his objectivity when appraising Wodehouse's books. The problem he faces is that - the notorious wartime broadcasts apart - Wodehouse really didn't do very much with his life apart from travel (in the early years) and write. The world he created - the world of Jeeves and Wooster, Blandings Castle, Mr Mulliner and Uncle Fred - was the one in which he felt most at home and the one in which he evidently spent most of his time. His "real" world contained no scandals (the broadcasts apart), no politics, no messy family life; he was simply an amiable if slightly remote man and a ferociously hard-working writer. But it is this second point that I find so interesting. The care, dedication and attention to detail that Wodehouse put into the creation of all those seemingly effortless, lighter-than-air confections is astonishing. Luckily, like many of his generation, he was a daily letter writer and left behind a mountain of correspondence which allows McCrum to detail the painstaking way in which he mapped out his plots, outlined his characters, drafted early scenarios and gritted his teeth through endless re-writes until the whole thing rose as magically as a souffle. This is the sort of stuff I want to read about in a biography of an author and this is where McCrum delivers the goods. He strikes a sympathetic, if exasperated, tone about the Berlin broadcasts, which is probably about right. As McCrum acknowledges, there were plenty of Americans making regular broadcasts from Berlin in 1941 to the (still neutral) USA and Wodehouse had, of course, lived so much of his adult like in the States that he regarded himself as much an American as he was an Englishman. If Wodehouse acted like a fool in misjudging British public reaction to his talks, McCrum makes the case that the capital of Nazi Germany in the middle of World War Two was hardly the time or place in which an elderly gentleman of Wodehouse's essentially trusting and naive nature was likely to come up smelling of roses. McCrum is also very good on the nuts and bolts of Wodehouse's life; his domestic arrangements, his compulsive travel, his friendships and, above all, his endless battles with the taxman on both sides of the Atlantic - not a subject, on the face of it, that is rich in anecdotal material but the story of the British tax official quietly dropping a case against Wodehouse after discovering that they'd played rugby against each other as schoolboys is priceless. So if you're a Wodehouse fan, I'd recommend you to get a copy of this book. It is rich in detail, warm-hearted without losing its objectivity and written by an author who knows his subject inside out. It gives what is probably the best window we're likely to get on a man who lived a mostly interior life.
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