This is a satisfying record and a good introduction, for me, to this type of music (Nordic New Age/ Revival). What you will find in these 19 tracks is Norwegian, Swedish, and Finnish women musicians remaking traditional tunes as well as presenting original work. The fiddle features as the main instrument in the record. Some are instrumentals and others feature either raw vocalization (for example, harpist Tone Hulbækmo's "Svevende Jord[Floating Earth]," a very beautiful track that begins with trance-like vocalization and relaxing music that breaks into a lively and elegant fiddle tune) or sung lyrics (Pernille Anker's "Gjendines bånlåt" is an acappella lullaby). Kirsten Bråten-Berg's "Heiemo og nykkjen" is a modern version of a traditional Norwegian song called "Noekken som belar," but her rendition, I think, is more obscure than the many traditional, regional versions from the 1800s. Sinikka Langeland's "Bridal song from Soloer" is another song in which I could hear Norwegian; she has a beautiful, bright voice. I'm glad to have a collection of music with these three languages, as one of the reasons I bought it was to help my Norwegian, but the lyrics are not printed, and the songs with lyrics are not easy to understand (they're obviously very regional and/or old). Another plus was Annbjoerg Lien's instrumental fiddle tracks, especially "Foenix." I was nervous when I first purchased it because I didn't want it to be 90% instrumental music, but I gained a new appreciation of the fiddle, thanks to the modern flavor of this old art that Lien and the others provide. I enjoyed the Swedish "Anna ock Wilhelm" by Susanne Rosenberg and the Finnish Tellu's "Tuulet[The Winds]." There were very few disappointing tracks (that I found too harsh or a bit screwball-sounding). A printed translation of a writing by Pernille Anker playfully talks about the modern Wizard Woman of the North, but I wish there had been more background to explain the songs, and I wanted the Norwegian lyrics. All in all, though, this is great music.