This book is quite different from Krenov's other, often intensely personal books. His motivation, in large part, is to make the case for his student's furniture, and only by extention his own work, and methods of work. He is concerned that the market hasn't a place for such work, and he hopes to make a place for it through this book. Krenov's previous stance in the Impractical Cabinetmaker, wasn't concerned with lack of viability, but the market has changed, and his students aspirations have apparently influenced him.
The last book Krenov published prior to this effort was Worker in Wood in 1981. In the intervening time, a great deal of his efforts have been spent establishing the Woodworking program at the College of the Redwoods in California. When I first heard that Krenov was writing another book I had hoped he would bring us up to date on his approach to woodwork, twenty years later. It is clear when you look at some of his recent work that it is quite different from where he was 20 years ago. It is also clear that some of the techniques then used have changed. It would be fitting if rather than the older books simply being republished, he could bring his many admirers up to date with a new volume.
While this book is well done, and shows many handsome photographs, there isn't much new. Many of the pictures have appeared previously in other publications, and the text, while powerful in places, is scant. It is rather like a catalogue to an exhibition. A dialogue between Krenov, his star pupils, and potential purchasers of their work.