- Mass Market Paperback: 339 pages
- Publisher: Grand Central Publishing; Reprint edition (Aug 2007)
- Language English
- ISBN-10: 0446617598
- ISBN-13: 978-0446617598
- Product Dimensions: 10.8 x 2.5 x 16.8 cm
- Amazon Bestsellers Rank: 953,292 in Books (See Top 100 in Books)
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Product Description
Review
"'Outstanding... brilliantly connects the unconnected.' Publisher Weekly"
--This text refers to an out of print or unavailable edition of this title.
Product Description
It is one month after their wedding and the future looks bright for Judge Deborah Knott and Sheriff's Deputy, Dwight Bryant. That is until a disturbing call from Dwight's eight year old son, Cal, brings him back to Virginia. When he arrives, he is shocked to find that his ex-wife has left the boy alone for almost twenty-four hours. Worse, as Dwight tries to confront her, she takes the child and leaves without a word. As Dwight embarks on his search, Deborah hurries to his side. But will they be able to work together to decipher the ex-wife's motives and, more importantly, rescue Cal before he is harmed?
--This text refers to an out of print or unavailable edition of this title.
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24 reviews
23 of 25 people found the following review helpful
Hibernating in the Series
18 Sep 2006
Format:Hardcover
Dwight Bryant, experienced sheriff and newbie husband, becomes alarmed when he realizes his son Cal was left alone. However, ex-wife Jonna has been a responsible parent up to now, and her absence seems due to foul play. Naturally, Dwight drops everything to investigate, while his staff keeps the home fires burning as they investigate the mysterious shooting of a man found dead in his truck.
This volume seems to be what I call a positioning novel in a larger series. Dana Stabenow and Lawrence Block made major shifts with gruesome novels that killed off characters who (I suspect) had gotten in the way. Maron, thankfully, offers a gentler version as she gives Dwight Bryant a larger place on the stage.
But readers who follow the series may want to keep Deborah Knott front and center. Deborah remains the most complex and interesting character in the series and indeed one of the most fascinating characters in the world of mystery fiction -- along with Holly Winter, Sharon McCone and Anna Pigeon. She's got city smarts and country sense. She attracts equally complex girlfriends and who wouldn't love her extended family?
An astute politician, she's more down-home and politically incorrect than other female series characters, with a Baptist affiliation and an open-minded approach to death penalty cases. Few of us agree 100% with our friends on every issue and that's what makes Deborah seem like someone I'd like to meet for coffee (or something stronger, as she would say).
Like most of Maron's novels, Winter's Child can be judged more by character and ambience than plot. The plot isn't bad. One murder just isn't that interesting or mysterious; the other was quite cleverly set up by the book's structure. We don't get to revisit characters and settings from previous volumes in the series and I for one miss scenes when Deborah's on the bench.
The resolution of the novel (predictable to veterans of mystery series) brings together characters who can create some interesting chemistry in future volumes. Maron's female characters can be expected to remain more interesting and 3-dimensional than the men. As for Dwight Bryant, I'm curious to see how Maron deals with his female deputy's unrequited (and so far unspoken) crush, which adds a nice piece of tension to scenes in the sheriff's office, where Deborah is forbidden to enter.
This volume seems to be what I call a positioning novel in a larger series. Dana Stabenow and Lawrence Block made major shifts with gruesome novels that killed off characters who (I suspect) had gotten in the way. Maron, thankfully, offers a gentler version as she gives Dwight Bryant a larger place on the stage.
But readers who follow the series may want to keep Deborah Knott front and center. Deborah remains the most complex and interesting character in the series and indeed one of the most fascinating characters in the world of mystery fiction -- along with Holly Winter, Sharon McCone and Anna Pigeon. She's got city smarts and country sense. She attracts equally complex girlfriends and who wouldn't love her extended family?
An astute politician, she's more down-home and politically incorrect than other female series characters, with a Baptist affiliation and an open-minded approach to death penalty cases. Few of us agree 100% with our friends on every issue and that's what makes Deborah seem like someone I'd like to meet for coffee (or something stronger, as she would say).
Like most of Maron's novels, Winter's Child can be judged more by character and ambience than plot. The plot isn't bad. One murder just isn't that interesting or mysterious; the other was quite cleverly set up by the book's structure. We don't get to revisit characters and settings from previous volumes in the series and I for one miss scenes when Deborah's on the bench.
The resolution of the novel (predictable to veterans of mystery series) brings together characters who can create some interesting chemistry in future volumes. Maron's female characters can be expected to remain more interesting and 3-dimensional than the men. As for Dwight Bryant, I'm curious to see how Maron deals with his female deputy's unrequited (and so far unspoken) crush, which adds a nice piece of tension to scenes in the sheriff's office, where Deborah is forbidden to enter.
9 of 9 people found the following review helpful
Still Strong
27 Aug 2006
Format:Hardcover
Deborah and Dwight are no sooner married than Dwight's past intrudes. In this entry in the Deborah Knott series, Margaret Maron gives Deborah a chance to explore Dwight's life during his first marriage.
Maron fills in much of the missing backstory about Dwight, and his oft mentioned, but never met ex-wife. While the trip to Shaysville is not nearly as satisfying as some of Deborah's previous departures from Colleton County, the story is still very interesting. It's good to see Maron explore what the relationship will be between Dwight, Deborah, and Cal. While I missed the rich local scenery and backstory that Maron usually manages to build when Deborah travels, I think she made a wise choice in focusing on family relationships. It gives us the promise of even richer novels to come.
Maron fills in much of the missing backstory about Dwight, and his oft mentioned, but never met ex-wife. While the trip to Shaysville is not nearly as satisfying as some of Deborah's previous departures from Colleton County, the story is still very interesting. It's good to see Maron explore what the relationship will be between Dwight, Deborah, and Cal. While I missed the rich local scenery and backstory that Maron usually manages to build when Deborah travels, I think she made a wise choice in focusing on family relationships. It gives us the promise of even richer novels to come.
11 of 12 people found the following review helpful
come on in, ya'll, and set a spell
25 Nov 2006
Format:Hardcover
All of the Judge Deborah Knott books are wonderful, so if this one is a bit less wonderful than average, small harm. Beginning a month after the action in Rituals of the Season (in which Deborah and the uneuphoniously named Dwight Bryant are wed), this novel is set mostly in Virginia, home of Dwight's son and ex-wife, Jonna. We can understand Maron's need to find additional settings for the series, lest Cotton Grove and environs become the Cabot Cove of the South, but I miss the NC atmosphere and ambience. In Shaysville, VA, however, Maron has created another Southern microcosm about which she can be lovingly caustic.
As with all of the novels in this series, the dialogue is word-perfect across class and gender lines. Listening to these people talk is a pure pleasure. The characters are vivid, never toppling over the bounds of credulity; we can enjoy despising the self-absorbed Southern lady and the obsessed collector of Civil War-era tat.
No, there's not much of a plot, but the shock value of Cal (Dwight's 8-year-old son) losing his mother and then being kidnapped is a fair substitute for one. The strength of Maron's series is that she creates a world in which we are delighted to dwell for a brief spell.
It's too brief, as always, but we can hope for more soon.
PS If anyone figures out the chapter headings, please do a post. Taken from the classics (Homer, Sophocles, various pre- and post-Socratic Greek philosophers, Ovid,) Shakespeare, Flaubert (?!?), Tennyson, and a 1918 book about weather (obviously, many are about the weather, re the title,) the tags presumably make sense to Maron, but I found them to be largely an exercise in the production of non-sequiturs - a distraction.
As with all of the novels in this series, the dialogue is word-perfect across class and gender lines. Listening to these people talk is a pure pleasure. The characters are vivid, never toppling over the bounds of credulity; we can enjoy despising the self-absorbed Southern lady and the obsessed collector of Civil War-era tat.
No, there's not much of a plot, but the shock value of Cal (Dwight's 8-year-old son) losing his mother and then being kidnapped is a fair substitute for one. The strength of Maron's series is that she creates a world in which we are delighted to dwell for a brief spell.
It's too brief, as always, but we can hope for more soon.
PS If anyone figures out the chapter headings, please do a post. Taken from the classics (Homer, Sophocles, various pre- and post-Socratic Greek philosophers, Ovid,) Shakespeare, Flaubert (?!?), Tennyson, and a 1918 book about weather (obviously, many are about the weather, re the title,) the tags presumably make sense to Maron, but I found them to be largely an exercise in the production of non-sequiturs - a distraction.
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