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21 of 22 people found the following review helpful:
5.0 out of 5 stars
America, 1961 and 2001, 27 Oct 2002
This is a frightening book, with more real horror than ten of the standard fare. By detailing one man's sliding morals, it holds up a mirror to everyone, as we all have faced similar decisions between doing what is right and doing what is convenient. And facing ourselves can be truly horrifying -- especially when the collective result of everyone's decisions is clearly evident in the ethical morass of today's world, from a President trying to re-formulate the English language to the Enron financial fiasco to wide-spread cheating on exams at military academies that pride themselves on the honor system. For this novel Steinbeck decided to remove himself from his normal California setting in favor of the East Coast. By doing so he availed himself of a milieu where tradition and 'old money' set the standards for acceptance into 'society'. Ethan Hawley is a man whose family used to be part of that 'society', but due to bad financial decisions he now finds himself clerking for an immigrant who owns the grocery store he himself used to own. With a wife quietly but constantly chiding him about her desires for a better life, to be able to hold her head up in society, and two kids constantly clamoring for more things, Ethan finds himself at a crossroads between a rigid moral code instilled in him by his aunt and grandfather, and providing a better life for those he loves. Told partially in first person in spare but very effective prose, the road that Ethan spirals down is brilliantly portrayed, from his 'sermons' to the groceries, to his internal 'conversations' with his grandfather, to the seemingly chance happenings and conversations in his little town that spawns an idea and method for robbing the local bank, to his 'dropping a dime' on his immigrant boss, to his betrayal of his alcoholic friend Danny. Each action and decision proceeds logically from the previous one, each one more step down a path with no end, a path which Ethan continues to tell himself that he can abandon with no lingering aftereffects at any time. Each point is meticulously plotted, with all the proper items set in place before the action, and the choice of time, setting, and materials is rich in irony, a sure mark of an author fully in control of his subject. The ending is deliberately ambiguous. By the time I reached that point I had been so drawn into Ethan's character I found that his final decision was tremendously important to me. Each reader ultimately must draw his own conclusion about what Ethan will do, but regardless of what answer the reader reaches, no reader can remain unaffected by this book, and will find his life richer for having read it. Steinbeck was one of the great American writers. His Nobel prize was richly deserved, and this book, while not as well known as his Grapes of Wrath or East of Eden, is certainly one of the reasons why, rivaling his other works in power and insightful looks at American society, just as valid today as when it was written, and peopled by a very living set of characters.
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