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When the fair gold morning of April stirred Mary Hawley awake, she turned over to her husband and saw him, little fingers pulling a frog mouth at her. Read the first page
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For this novel Steinbeck decided to remove himself from his normal California setting in favor of the East Coast. By doing so he availed himself of a milieu where tradition and 'old money' set the standards for acceptance into 'society'. Ethan Hawley is a man whose family used to be part of that 'society', but due to bad financial decisions he now finds himself clerking for an immigrant who owns the grocery store he himself used to own. With a wife quietly but constantly chiding him about her desires for a better life, to be able to hold her head up in society, and two kids constantly clamoring for more things, Ethan finds himself at a crossroads between a rigid moral code instilled in him by his aunt and grandfather, and providing a better life for those he loves.
Told partially in first person in spare but very effective prose, the road that Ethan spirals down is brilliantly portrayed, from his 'sermons' to the groceries, to his internal 'conversations' with his grandfather, to the seemingly chance happenings and conversations in his little town that spawns an idea and method for robbing the local bank, to his 'dropping a dime' on his immigrant boss, to his betrayal of his alcoholic friend Danny. Each action and decision proceeds logically from the previous one, each one more step down a path with no end, a path which Ethan continues to tell himself that he can abandon with no lingering aftereffects at any time. Each point is meticulously plotted, with all the proper items set in place before the action, and the choice of time, setting, and materials is rich in irony, a sure mark of an author fully in control of his subject.
The ending is deliberately ambiguous. By the time I reached that point I had been so drawn into Ethan's character I found that his final decision was tremendously important to me. Each reader ultimately must draw his own conclusion about what Ethan will do, but regardless of what answer the reader reaches, no reader can remain unaffected by this book, and will find his life richer for having read it.
Steinbeck was one of the great American writers. His Nobel prize was richly deserved, and this book, while not as well known as his Grapes of Wrath or East of Eden, is certainly one of the reasons why, rivaling his other works in power and insightful looks at American society, just as valid today as when it was written, and peopled by a very living set of characters.
As well as the main story of one mans descent under the weight of expectation there are also touches of sex, race, crime and corruption as well as a window into 1960's American suburbia and the attitudes thereof.
There is a message in the story that I found strangely reassuring. The modern phenomenon of wanting something, or everything, for nothing, is not new. Our sad obsession with celebrity is not a modern intellectual rot. Youth has not taken a terrible slide into indolence. All these undesirable quality's are present in this story and gradually wear Ethan down into submission. The process is intelligently written and construed and makes for a good story.
The story raises questions about happiness and contentment, and just what we need and don't need to obtain it, and how far a man is prepared to go to achieve what others expect of him.
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