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There is also a gentle nostalgia in some of the writing here. Wilt's hike through the English countryside in early chapters has pastoral charm in patches as well as a sarcastic sense of rural dereliction. Sharpe's sense of rural American life is rather more broad-brush, but the damage inflicted on an obnoxious millionaire by Wilt's four terrifying daughters shows a sense of just how power works.
This is a gentler book than some of Sharpe's satires, but he still has all of his bitter irony intact; this is not the book of someone who has mellowed in later life. --Roz Kaveney --This text refers to the Hardcover edition.
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So it's with heavy heart that I can confirm Sharpe's waning powers, based on the evidence presented by Wilt in Nowhere. The plotting devices and characterisations are as vivid as ever - Sharpe's instinct for farce is still as strong as ever. But the laughter is but a pale shadow of his finest achievements. The 1500 discarded pages must have made grim reading indeed if the final volume of Wilt's adventures is anything to go by.
The two separate plotlines - Eva and quads in the USA, Wilt on a walking tour and for much of the book in deep concussion, fails to add up to a coherent whole, and lacks much of the edge and sense of orchestrated debate displayed in earlier Wilt epics. If the moral of the tale is anywhere, Wilt in Nowhere says that taking an unambitious family holiday prevents chaos! Sharpe appears to said everything worth saying.
Furthermore, Wilt's arch adversary Inspector Flint has a comparatively minor role to play, though readers will be gratified to know his understanding of the Wilts is no greater now than ever before, albeit infinitely more advanced than his over-promoted peer, Hodge.
It's disappointing to see a once great writer well below his peak powers, and I wish Tom Sharpe a happy retirement. But I'd sooner remember him by earlier books, those that had me helpless with laughter.
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