This is not just another Macbeth. Though faithful to the text and to the poetry of the text, this is used as a springboard to the production's own powerful exploration of what really drove Shakespeare - the issue of good and evil. Neither McKellen nor Dench have quite the right face for their characters (too strong and too warm respectively) but this is unimportant. Their unparalleled intensity of delivery glues the play together from beginning to end, however unpleasant to watch. But the most remarkable achievement is the way the so-called `minor' characters steadily coalesce into a unified force for good that by the end over-rides all else in our attention. The Act IV English scene is extraordinarily strong, `king's cure' and all. The need to produce for TV, usually a noose around the neck of Shakespeare, is mightily used here: no set to speak of, darkness everywhere against which a certain amount of white and occasional flashes of red or gold make their impact, a superb use of camera angles, and music that perfectly matches and supports the tone of the production. And as well as the modern dress there is a curiously modern style of delivery that makes this not Shakespeare's exploration of his theme but our own. Trevor Nunn and his team have out-Shakespeared Shakespeare.