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Synopsis
William Eggleston's Guide was the first one-man show of colour photographs ever presented at The Museum of Modern Art, New York, and the Museum's first publication of colour photography. The reception was divided and passionate. The book and show unabashedly forced the art world to deal with colour photography, a medium scarcely taken seriously at the time, and with the vernacular content of a body of photographs that could have been but definitely weren't some average person's Instamatic pictures from the family album. These photographs heralded a new mastery of the use of colour as an integral element of photographic composition. Bound in a textured cover inset with a photograph of a tricycle and stamped with yearbook-style gold lettering, the Guide contained 48 images edited down from 375 shot between 1969 and 1971 and displayed a deceptively casual, actually superrefined look at the surrounding world.Here are people, landscapes and odd little moments in and around Eggleston's home town of Memphis - an anonymous woman in a loudly patterned dress and cat's eye glasses sitting, left leg slightly raised, on an equally loud outdoor sofa; a coal-fired barbecue shooting up in flames, framed by a shiny silver tricycle; the curves of a gleaming black car fender, and someone's torso; a tiny, grey-haired lady in a faded, flowered housecoat, standing expectant, and dwarfed in the huge dark doorway of a mint-green room whose only visible furniture is a shaded lamp on an end table. For this edition of William Eggleston's Guide, The Museum of Modern Art has made new colour separations from the original 35mm slides, producing a facsimile edition in which the colour will be freshly responsive to the photographer's intentions.
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Customer Reviews
Most Helpful Customer Reviews
21 of 23 people found the following review helpful
Format:Hardcover
William Eggleston's photos grow on you. Look through this book for the first time and the contents seem a bit like ordinary snapshots but look again and then again and with each viewing the images become more familiar (still with something fresh to discover each time) but now they start to blend together seamlessly. One reason for this, I think, is that the photos capture the everyday and the ordinary. Taken around Eggleston's hometown of Memphis and in the Deep South, they show some of his relations, street scenes, interiors, buildings and more, though the captions only state the locations. John Szarkowski says in the books introduction "..today's most radical and suggestive colour photography derives much of its vigor from commonplace models" This capturing of the everyday and in colour divided the critics in 1976 when the Museum of Modern Art used seventy-five of Egglestons's images for their first exhibition of colour photography. The 'Guide' unfortunately only shows forty-eight from the show.
Art photography until this exhibition was in black and white and had been for years, colour photos were mostly for ads, commercial print and snapshots. Thankfully the Museum's curator of photography, Szarkowski, had the good sense to allow the public to see something new and fresh. I think the 'Guide' is a good introduction to Eggleston and if you like his creative vision, as I do, have a look at these two books of his work:The Democratic Forest and Ancient & Modern. Both are full of wonderful colour photos of the American everyday.
+++LOOK AT SOME INSIDE SPREADS by clicking 'customer images' below the cover.
Art photography until this exhibition was in black and white and had been for years, colour photos were mostly for ads, commercial print and snapshots. Thankfully the Museum's curator of photography, Szarkowski, had the good sense to allow the public to see something new and fresh. I think the 'Guide' is a good introduction to Eggleston and if you like his creative vision, as I do, have a look at these two books of his work:The Democratic Forest and Ancient & Modern. Both are full of wonderful colour photos of the American everyday.
+++LOOK AT SOME INSIDE SPREADS by clicking 'customer images' below the cover.
2 of 2 people found the following review helpful
Format:Hardcover
This book is a great way to familiarise yourself with Eggleston's work. A series of photos taken in and around Memphis, his home city, in Tennessee. I didn't like his Paris book too much, but this book shows eggleston's beautiful use of colour (they don't call him the godfather of colour for nothing), of people's homes, children, women...he works in a strong but delicate way, making boring things exciting and inquisitive.
1 of 1 people found the following review helpful
Format:Hardcover
William Egglestons work appears to provoke more debate than many contemporary masters of photography
At first viewing most of the images look like mere snap shots, almost as though the camera went off before the photographer was ready.
However persevere and you will see an inner beauty and familiarity to these shots which is all well and dandy
Until you realise that maybe many of us can achieve simular results & given the art establishments backing can soar on to the heady heights secured by Mr Eggleston.
Try it !
At first viewing most of the images look like mere snap shots, almost as though the camera went off before the photographer was ready.
However persevere and you will see an inner beauty and familiarity to these shots which is all well and dandy
Until you realise that maybe many of us can achieve simular results & given the art establishments backing can soar on to the heady heights secured by Mr Eggleston.
Try it !
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Most Recent Customer Reviews
A classic review of a master of viewing on a master of colour
John Szarkowski is absolutely undisputed and he presents the most classic pictures of William Eggleston he has discovered in the late 1960's. Read more
Published 3 months ago by Luca Alessandro Remotti
Perfect!
This is the best. It has some of my most beloved photos in and I love to recreate them. If you like his work this is the book for you .
Published 22 months ago by D
Listmania!
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