Review
`A beguiling account and vibrant celebration of coming of age in post-colonial Africa' --Sunday Times
'An autobiographical portrait of the artist as a young man with brilliant commentary and critique' --Guardian
'Head directly to the bookstore for Binyavanga Wainaina's stand-up-and-cheer coming-of-age memoir' --New York Times
'Wainaina's personal odyssey is compelling and provides insights into the making of this talented writer'
--Wasafiri
'A sharply observed picaresque tale that delivers on the promise of his earlier writing'
--Observer
'Witty, novelistic and dreamy, Wainaina's story is effectively the story of Kenya itself'
--Metro
'An autobiographical portrait of the artist as a young man with brilliant commentary and critique' --Guardian
'Head directly to the bookstore for Binyavanga Wainaina's stand-up-and-cheer coming-of-age memoir' --New York Times
'Wainaina's personal odyssey is compelling and provides insights into the making of this talented writer'
--Wasafiri
'A sharply observed picaresque tale that delivers on the promise of his earlier writing'
--Observer
'Witty, novelistic and dreamy, Wainaina's story is effectively the story of Kenya itself'
--Metro
Product Description
Binyavanga Wainaina tumbled through his middle-class Kenyan childhod out of kilter with the world around him. This world came to him as a chaos of loud and colourful sounds: the hair dryers at his mother's beauty parlour, black mamba bicycle bells, mechanics in Nairobi, the music of Michael Jackson - all punctuated by the infectious laughter of his brother and sister, Jimmy and Ciru. He could fall in with their patterns, but it would take him a while to carve out his own. In this vivid and compelling debut, Wainaina takes us through his school days, his failed attempt to study in South Africa, a moving family reunion in Uganda, and his travels around Kenya. The landscape in front of him always claims his main attention, but he also evokes the shifting political scene that unsettles his views on family, tribe, and nationhood. Throughout, reading is his refuge and his solace. And when, in 2002, a writing prize comes through, the door is opened for him to pursue the career that perhaps had been beckoning all along. A series of fascinating reporting assignments follows in other African countries. Finally he circles back to a Kenya in the throes of postelection violence and finds he is not the only one questioning the old certainties. Resolutely avoiding stereotype and cliche, Wainaina paints every scene in One Day I Will Write About This Place with a highly distinctive and hugely memorable brush.
