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Who's Next

Price: £5.94 & FREE Delivery in the UK on orders over £10. Details
Includes FREE MP3 version of this album.
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Image of album by The Who


Image of The Who


The Who are an English rock band formed in 1964 by Roger Daltrey (lead vocals, harmonica and guitar), Pete Townshend (guitar, keyboards and vocals), John Entwistle (bass guitar, brass and vocals) and Keith Moon (drums and percussion). They became known for energetic live performances which often included instrument destruction.The Who have sold about 100 million records, and have charted 27 ... Read more in Amazon's The Who Store

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Frequently Bought Together

Who's Next + The Who Sell Out + Who Are You
Price For All Three: £18.45

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Product details

  • Audio CD (6 Dec. 1999)
  • Number of Discs: 1
  • Label: Polydor Group
  • ASIN: B000024NOC
  • Other Editions: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (153 customer reviews)
  • Amazon Bestsellers Rank: 1,247 in Music (See Top 100 in Music)

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Song Title Time Price
Listen  1. Baba O'Riley (Remix) 5:09£0.99  Buy MP3 
Listen  2. Bargain 5:33£0.99  Buy MP3 
Listen  3. Love Ain't For Keeping 2:10£0.99  Buy MP3 
Listen  4. My Wife (Remix) 3:40£0.99  Buy MP3 
Listen  5. The Song Is Over 6:14£0.99  Buy MP3 
Listen  6. Getting In Tune 4:50£0.99  Buy MP3 
Listen  7. Going Mobile (Remix) 3:42£0.99  Buy MP3 
Listen  8. Behind Blue Eyes 3:39£0.99  Buy MP3 
Listen  9. Won't Get Fooled Again (Remix) 8:32£0.99  Buy MP3 
Listen10. Pure And Easy 4:19£0.99  Buy MP3 
Listen11. Baby Don't You Do It [feat. Leslie West] 5:13£0.99  Buy MP3 
Listen12. Naked Eye (The Young Vic Theatre Live Version) 5:31£0.99  Buy MP3 
Listen13. Water (The Young Vic Theatre Live Version) 6:23£0.99  Buy MP3 
Listen14. Too Much Of Anything [feat. Nicky Hopkins] 4:24£0.99  Buy MP3 
Listen15. I Don't Even Know Myself 4:54£0.99  Buy MP3 
Listen16. Behind Blue Eyes (Alternate Studio Version) [feat. Al Kooper] 3:26£0.99  Buy MP3 

Product Description

Product Description

Digitally remastered! 1971 album now with 7 BONUS tracks and liner notes.

BBC Review

The Who’s fifth album is one of those carved-in-stone landmarks that the rock canon doesn’t allow you to bad-mouth. It was pretty rad for its day. Here’s the twist: it still sounds ablaze. As C.S.I. fans will vouch, there’s not much that isn’t thrilling about Won’t Get Fooled Again and Baba O’Riley, which howl and kick like they were born yesterday.

Like many near-masterpieces, it wasn’t meant to turn out like it did. Pete Townshend had one of his ‘futuristic rock opera’ ideas, and recordings began on a work called Lifehouse. It wouldn’t gel, so The Who made the most of the random songs that did. Upon release in 1971 it blew away critics and fans alike, bar a few Who diehards who thought larking around with things called synthesizers and modified keyboards was, like, selling out.  Glyn Johns had replaced Kit Lambert as producer. Still, the sleeve wasn’t exactly bland, picturing the foursome pissing on a slagheap. (Other contenders for the cover had included a group of obese naked women and a shot of Keith Moon in black lingerie. Be grateful for small mercies.)

Baba O’Riley makes a spectacular opener, its hypnotic drone disrupted by power chords that are parachuted in off the backs of meteorites. Dave Arbus’ subtle then frantic viola solo raises it another gear. There has rarely been a more durably evocative refrain than “teenage wasteland”. As ever, Daltrey’s ragged voice brings humanity to Townshend’s over-thinking. Moon is typically hyperactive: any drummer playing like this today would be ordered to rein it in. Bargain floats on the tension between acoustic guitar and the brave new synth. Like most of the album, it’s melodramatic without – as with later Who – fattening into pomposity. The Song is Over oozes poignancy and Getting in Tune and Going Mobile are simply great songs. Behind Blue Eyes is a soul-searching ballad which bursts into belligerence, reflective then urgent.

The climactic (and how) Won’t Get Fooled Again stretches itself and chews its restraints until it becomes much more than a riff and a scream. It’s on fire. In “meet the new boss, same as the old boss” it nailed the bleeding heart of protest-pop. Who’s Next is The Who’s best. --Chris Roberts

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Customer Reviews

4.6 out of 5 stars

Most Helpful Customer Reviews

32 of 33 people found the following review helpful By Geoffrey Millar on 16 Mar. 2007
Format: Audio CD
Who's Next, apart from having a brilliant cover, is for me the absolute studio peak for this band. The songwriting, recording, musicianship and

'feel' of the album remain stunning almost forty years after its release.

It was/is the perfect Who album, although so are The Who Sell Out, and Who Live at Leeds, and.....

BUT, in these days of CD, why do the record companies think they have to fill up the disc to give value? The bonus tracks are excellent and most welcome, of course, but why not (OK, I know it's dollars) put them on a second CD?

Won't Get Fooled Again was the perfect close to the record, but now it closes with Behind Blue Eyes: great song, but not the 'kapow' ending of the original. Of course, in these days of MP3 and IPods, you can re-jig albums in any way you like, but can you imagine Sgt Pepper ending with, say, an outtake version of Lovely Rita instead of Day in the Life?!

Anyway, enough griping. This is great stuff, and I defy anyone to avoid playing along with the drum break in Won't Get Fooled Again.

PS There is another issue of Who's Next, too. This is a 2 CD set which features a terrific, unreleased live collection from the Vic Theatre which was planned to be part of the Lifehouse project, I think. The first CD is the same as the first re-issue reviewed here.
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10 of 10 people found the following review helpful By M. Dineen on 17 Feb. 2008
Format: Audio CD
The Who's zenith, and probably still unsurpassed for rock musicianship, cohesion, total sound, and explosive creativity by all four musicians. And Pete Townsend singing his patented lyrical interludes in so many of the songs, bookended by Roger Daltry's raw, gut-wrenching vocals. (Are these interludes something completely unique in Rock 'n Roll? I can't think of any other band that used the technique. In any case, they are are showcase for Townsend's amazing musicality that was equalled by few others, maybe only McCartney from that era). Plus we hear the entire, amazing, and deeply spiritual "Pure and Easy", which is only quoted at the end of "The Song is Over", both in studio and live. Pete's guitar is on fire in "Best I Ever Had", and the album would be classic if it it only had any one of "Baba O'Riley", "Won't Get Fooled Again", and "Behind Blue Eyes." This one had all, and then some. The album was and still is the soundtrack of its time for many of us old timers.

Has there since been a better Rock album? I can't think of one.

Do pop musicians still create at this level? I'm not hearing it.

What's Next? If it's anything like Who's Next, I can't wait to hear it.
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87 of 91 people found the following review helpful By John Basham on 17 May 2008
Format: Audio CD
This is a more technical comment on this re-release - obviously this is a full five star album, genius at its very height, etc.

However having listened closely to the "Deluxe" (2-CD) version of Who's Next against the earlier 1995 "Remixed and Digitally Remastered" (1-CD) version - they ain't the same (if you use iTunes, use Apple Lossless - you'll never go back to MP3, BTW - or FLAC with other players). The track lengths give this away, but on a good system, and particularly with good headphones, you will be able to tell the difference easily. Essentially the Deluxe sounds like a remaster only - i.e. taken from the original stereo master tapes, and a harsh one at that - whereas the 1995 version is clearly a remix from the original multitrack master.

OK, so what? Well, in almost every case (every case in my own view) the remixed versions - while sticking closely to the original mixes and overall production quality (and quite rightly so, this recording was also Glyn Johns' own masterpiece) have a clearer and more transparent quality that makes the vinyl/Deluxe versions sound sonically limited. Subtle details in the mix, tambourines, vocal inflections, even creaking studio chairs and background whispers become clear on the 1995 remix versions - it's uncanny, and for music/Who fans who really care about this album the effect is much like the (also remixed/remastered) 2-CD Tommy - which is frankly breathtaking and sounds like it might have been recorded last week. Studio technology was quite advanced from the sixties onwards, only the need to adjust things for vinyl messed up the sound quality. Revisting the master tapes allows modern listeners to hear what Glyn Johns would have heard in the studio.
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23 of 24 people found the following review helpful By David Lovie on 22 May 2006
Format: Audio CD
A fantastic album, definitely up there with the best rock has offered over the last 50 years. A slightly more grown up and `rock' sounding Who compared to some of their earlier work, but still with all the classic sounds and features that made the Who so great, from Keith Moons rather mad drumming to Pete Townshend's huge chords and excellent guitar playing.

This album starts with Baba O'Riley, opening with a synth line that flows through the whole song (at times in the forefront, other times hidden under guitars) to which a simple few chords on piano are added and drums and the song gets into swing, Daltrey's vocals of teenage years and feelings, and the huge crashing guitars. Before later stripping right back down to the basics before building up again for the crash of the ending.

Bargain is another five plus minutes of classic Who rock, starting with some violin inspired guitar swells before launching into the song proper, a song of chasing that one girl.

I don't want to go through all the songs individually, but `Behind Blue eyes' must be mentioned, more lately known from a Limp Bizkit `cover' of it (some would say massacre) this is the original version as it should be. A heartfelt song of not fitting in and being the outsider, simple acoustic and bass playing and vocal line for a few verses until the song opens up with Keith Moon coming crashing in on the drums accompanied by Pete Townshend with huge crashing chords and riffs.
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